Director : Mike White
Cast : Ben Stiller, Austin Abrams, Jenna Fischer, Michael Sheen, Jemaine Clement, Luke Wilson, Shazi Raja, Luisa Lee, Mike White
Genre : Comedy/Drama
Run Time : 102 mins
Opens : 2 November 2017
Rating : M18
It’s a familiar, painful feeling: the sense that everyone else has overtaken you, that your peers have gone on to bigger and better things, and you’re left wondering what you’ve done with your life. This might sound depressing, but it’s the basis for a comedy. Well, a comedy-drama.
Brad Sloan (Ben Stiller) is 47, married to Melanie (Jenna Fischer) and runs a non-profit organisation. Every day, he seems reminded of how successful his college classmates are: Craig Fisher (Michael Sheen) went from a job at the White House to being a bestselling author and sought-after speaker, Jason Hatfield (Luke Wilson) is a wealthy hedge fund manager, Billy Wearsiter (Jemaine Clement) sold off his tech company and has retired to Hawaii, and Nick Pasquale (Mike White) is a Hollywood filmmaker who lives in a mansion in Malibu.
Brad takes his 17-year-old son Troy (Austin Abrams) on a tour of potential colleges. Troy, an aspiring musician and composer, hopes to get into Harvard. As Brad attempts to reconnect with his old friends to call in a favour for Troy, he is forced to re-evaluate his disillusionment, discovering that perhaps the grass really isn’t greener on the other side.
Writer-director Mike White makes many pithy observations about the anxiety of feeling one doesn’t measure up. This is not the first movie about a man navigating a midlife crisis, but it’s done in a largely down-to-earth, relatable manner. The debilitating practice of comparing oneself to one’s peers isn’t particularly healthy, but it’s something everyone catches themselves doing. Brad’s Status punctuates the mundanity with dream sequences and flights of fancy, in which Brad imagines how glamorous and exciting his friends’ lives must be, as well as imagining how his own son might end up.
The film makes heavy use of voiceovers, but these sequences feel organic. Hearing Brad’s internal monologue makes audiences feel like they’re in the protagonist’s headspace, understanding how he ticks and becoming intimately familiar with his crippling insecurities. This is a role that fits Stiller to a tee – he isn’t do any forced, over-the-top mugging here, but is tapping on his appeal as a beleaguered everyman. Brad openly wallows in self-pity, and yet, he’s sympathetic because we’ve all been there. There’s a point in the film when Brad is told point blank that the world doesn’t revolve around him, and that his obsessing over his perceived shortcomings is a sign of self-centredness. There are no drastic leaps in his belated journey of self-discovery, and it’s easy for viewers to go along with him on this ride.
Abrams comes off as an ordinary kid, delivering an understated, amusing performance that parents of teenagers are sure to find thoroughly authentic. The relationship between father and son is convincingly developed, and the tensions that arise between the two during the college tour seem natural. Brad is at once anxious that his son achieve greatness, and simultaneously afraid that his Troy will eventually end up more successful than he is. There’s enough awkwardness and sincerity in the relationship for it to work as the film’s emotional core, without things coming off as overly saccharine.
The supporting cast is smartly selected, with Michael Sheen being the standout. Sheen grins his way through the performance, coming across as glib and self-satisfied, but not necessarily a bad person. Brad does a lot of projecting onto his friends, fantasising about how much better their lives are than his, when he has plenty to be thankful for. Shazi Raja is memorable as Troy’s friend Ananya, who winds up challenging Brad’s worldview. Luisa Lee, a violinist whom you might have seen on YouTube, also appears.
Brad’s Status doesn’t make any grand statements, but it is poignant and thought-provoking. It highlights the exhausting pointlessness of feeling like one never has enough and that everyone else has it so much better, without taking time to be grateful and to assess one’s priorities and maintain the personal relationships that truly matter. As a gentle takedown of entitlement, Brad’s Status might sting those who feel indicted by it, but it’s funny and heartfelt.
RATING: 3.5 out of 5 Stars