Paddington 2 movie review

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PADDINGTON 2

Director : Paul King
Cast : Ben Whishaw, Hugh Bonneville, Sally Hawkins, Brendan Gleeson, Julie Walters, Jim Broadbent, Peter Capaldi, Hugh Grant, Madeleine Harris, Samuel Joslin
Genre : Comedy/Family
Run Time : 1h 44m
Opens : 7 December 2017
Rating : PG

Everyone’s favourite marmalade-loving Peruvian bear is back on the big screen. Unfortunately, he finds himself in the big house, too. Paddington (Ben Whishaw) is thrown in prison, after being framed for a robbery he did not commit. His adoptive family, comprising Henry (Hugh Bonneville), Mary (Sally Hawkins), Judy (Madeleine Harris) and Jonathan (Samuel Joslin) Brown, plus housekeeper Mrs Bird (Julie Walters), must clear Paddington’s name. Paddington must find a way to foil the dastardly plans of Phoenix Buchanan (Hugh Grant), a fading actor who will stop at nothing to acquire a priceless treasure. While in prison, the cuddly little bear must defend himself from various nasty types, including the imposing prison chef Knuckles McGinty (Brendan Gleeson). With a positive attitude, good manners, and a little help from people who care about him, Paddington just might survive this ordeal.

After the runaway success of 2014’s Paddington, a sequel was inevitable. We can’t stop the cynics from viewing this film as a shameless cash-grab, but we don’t have to. Paddington 2 does a fine job of that all by itself. This is a film that brims with heart, is ever-so-English, impeccably acted, and not too sickeningly twee. Like its predecessor, there’s also a sweet pro-inclusivity message, conveyed by way of Peter Capaldi’s Mr. Curry, who hates Paddington just because he’s an immigrant.

On top of that, Paddington 2 is hilarious. Director and co-writer Paul King, who also helmed the first Paddington film, delivers a delightfully witty movie that features a mix of expertly-choreographed physical comedy set-pieces and clever wordplay. The film is a masterclass in the art of the setup and the payoff – things that register at first as silly details later become important in the plot, and it snaps together in such a satisfying way. The action-packed finale plays like a cross between the climactic scene of Back to the Future Part III and the opening set-piece of Indiana Jones and the Last Crusade.

The first Paddington movie was going to star Colin Firth as the voice of the loveable bear, and Ben Whishaw was brought on as a last-minute replacement. Whishaw is effortlessly sweet and earnest without it coming off as an affectation. The computer-generated effects seem to have improved since the last movie, and it’s easy to buy Paddington as an actual character. While it’s not as photo-real as the work in War for the Planet of the Apes (nor is it intended to be), this reviewer found himself as invested in Paddington’s journey as he was in Caesar’s.

The stable of talented English actors who fill the supporting cast returns from the first film, with the addition of a few big names. Bonneville plays the pragmatic patriarch who, after years in the insurance business, has lost his taste for whimsy. Hawkins serves as a foil as the warm-hearted Mary. Walters is endlessly amusing as the plucky Mrs Bird, while Capaldi is as crotchety as he can be without Malcolm Tucker-style swearing.

Hugh Grant is the runaway scene-stealer. He gamely sends up his own career, playing a self-obsessed actor whose glory days are far behind him. Seeing as Grant was one of the hottest stars of the 90s and saw his stock fall after personal scandals and massive flops, it’s admirable that he’s willing to poke fun at himself. Not only that, he appears to be having a grand old time doing so. As excellent as Nicole Kidman was in the first film, Grant’s villainous turn handily one-ups hers.

Brendan Gleeson is also a joy to watch as the widely-feared prison cook whom Paddington gamely tries to befriend. All the actors seem to enjoy being a part of the project, and nobody looks like they’ve been forced to put on a happy face.

Given the current political and pop culture climate, few things are cynic-proof. There are popular YouTube channels dedicated to mercilessly dismembering every last thing anyone finds remotely enjoyable, and plenty of think-pieces endeavour to do the same. Paddington 2 is a shining light in this fog of scoffing and irony. What the film possesses in sincerity, it matches in technical accomplishment and engaging storytelling. You’ll laugh, you’ll cry, you’ll feel the warm fuzzies.

In a year that’s given us some surprising, spectacular blockbusters, Paddington 2 might not be a shock to the system, but it shouldn’t be. It should be a hug, and that it certainly is. The film is dedicated to the memory of Paddington creator Michael Bond, who passed away just before filming wrapped. If future Paddington movies are anywhere as good as this, his legacy is in the safest paws.

RATING: 4.5 out of 5 Stars

Jedd Jong

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