Director : Lennart Ruff
Cast : Sam Worthington, Taylor Schilling, Tom Wilkinson, Agyness Deyn, Nathalie Emmanuel, Diego Boneta, Noah Jupe
Genre : Sci-fi
Run Time : 1h 37m
Opens : 5 April 2018
Rating : NC16
In 2009’s Avatar, Sam Worthington played a man who transfers his consciousness into an alien body. In this sci-fi thriller, Worthington turns into an alien-like being again, albeit under different circumstances.
It is 2045, and mankind is forced to find new means of survival. Overpopulation and environmental destruction have doomed earth. Professor Martin Collingwood (Tom Wilkinson) has devised a revolutionary new procedure which will alter the genetics of test subjects, changing their physiology so they can live on Titan, Saturn’s largest moon. Collingwood believes that this “forced evolution” is the future of humanity.
Former soldier Rick Janssen (Sam Worthington) is one of the test subjects in the Titan program. Together with his wife Abigail (Taylor Schilling) and son Lucas (Noah Jupe), Rick moves to a research facility where he will undergo the transformation into a new species adapted to life on Titan. Unexpected side effects begin to occur, with the other test subjects turning uncontrollably violent. Abigail realises that she hasn’t been told everything about what exactly will happen to her husband and must face the horrifying reality that this terrifying leap forward in evolution might just be the end of humanity as we know it.
In Singapore, The Titan is being released on Netflix and in theatres. Smaller-scale sci-fi films have always fascinated this reviewer – it’s fun to see how filmmakers circumvent budgetary restraints and tap on their creativity to convincingly create world with limited resources.
The Titan has an intriguing premise and establishes it with a degree of plausibility. The production values pass muster, and the film benefits from the picturesque shooting location of the Canary Islands in Spain. The film has a slow build and there is a sense of dread as to what unexpected mutation lies around the corner for Rick. Towards the end, it enters action movie mode, and that’s when the movie feels a little clumsy and not fully realised.
The theme of man playing god has often fascinated filmmakers, and while The Titan stays a safe distance from schlocky silliness, its exploration of this theme lacks depth. The wider social implications of this type of genetic experimentation don’t quite take hold. Director Lennart Ruff, working from a screenplay by Max Hurwitz (with Arash Amel receiving a ‘story by’ credit), attempts to put the focus on the characters rather than the technical aspects of the procedure. Unfortunately, the characters aren’t especially interesting.
Sam Worthington seemed destined for A-list stardom after the success of Avatar, and while that has eluded him, he’s continued working steadily in smaller projects. Rick is a rather generic hero and the movie doesn’t get far enough into his head for us to appreciate the inner torment he experiences as he undergoes the procedure. It’s not a bad performance, but it could’ve been more affecting.
Taylor Schilling’s Abigail is a paediatrician, and she has a more proactive role in the story than most designated love interests in films of this type do. Thanks to her medical expertise, she can tell that’s something is amiss, and takes it upon herself to find out just what is happening to her husband. The film’s most emotional moments are when we see Abigail process that her husband is being taken from her bit by bit.
Wilkinson lends gravitas and dutifully delivers exposition, but by the end of the film, Dr Collingwood emerges as a rather one-dimensional character.
The other test subjects, who are played by actors including Nathalie Emmanuel, Diego Boneta and Aaron Heffernan, aren’t given huge amounts of character development. The fates that befall the less fortunate test subjects are shocking enough but aren’t quite as horrific as body horror movie aficionados have come to expect. The film’s restraint in not falling back on over-the-top gore is admirable.
The Titan isn’t bad, it’s just one of those films that sounds more interesting on paper than it winds up being. As a smaller scale sci-fi film, The Titan doesn’t take its premise far enough to truly capture the imagination but is unique enough to warrant curiosity.
RATING: 3 out of 5 Stars