JURASSIC WORLD: FALLEN KINGDOM
Director : J.A. Bayona
Cast : Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Isabella Sermon, Toby Jones, Ted Levine, B.D. Wong, Geraldine Chaplin, Jeff Goldblum
Genre : Action / Adventure / Sci-fi
Run Time : 128 mins
Opens : 7 June 2018
Rating : PG-13
Just as life finds a way, so has the Jurassic Park franchise. There was a 14-year break between Jurassic Park 3 and Jurassic World, but the response to the latter showed audiences were hungry for more dinosaur mayhem. Jurassic World grossed $1.6 billion worldwide and became the second-highest-grossing film of 2015, making a follow-up inevitable.
Three years have elapsed since the events of the last film. The Jurassic World theme park lies in ruins on Isla Nublar, off the coast of Costa Rica. An impending volcanic eruption threatens the remaining dinosaurs who roam free on the island. Claire Dearing (Bryce Dallas Howard), former Jurassic World operations manager-turned dinosaur activist, has founded the Dinosaur Protection Group to save Isla Nublar’s Saurian inhabitants.
Claire is contacted by Eli Mills (Rafe Spall), the executor of Sir Benjamin Lockwood’s (James Cromwell) estate. Lockwood was the partner of the late John Hammond, creator of the original Jurassic Park. Mills needs Claire’s help to facilitate the evacuation of the island. Blue, the last Velociraptor, is still alive. Claire ropes in Owen Grady (Chris Pratt), the dinosaur handler who raised Blue, to help locate her. Claire’s employees at the Dinosaur Protection Group, paleo-veterinarian Zia Rodriguez (Daniella Pineda) and systems analyst Franklin Webb (Justice Smith), join the mission too. Owen and Claire soon find themselves entangled in a nefarious conspiracy that could throw the world as we know it into irreversible chaos.
Jurassic World: Fallen Kingdom comes extremely close to blockbuster perfection. Hiring J.A. Bayona proves to be a canny move on the producers’ part. The filmmaker kickstarted his career with the Spanish horror movie The Orphanage and made the disaster drama The Impossible and the dark fantasy fable When a Monster Calls. This is by far the largest project he’s presided over, and he worked closely with the previous film’s director Colin Trevorrow and producer Steven Spielberg, who directed the first two Jurassic films. The result is distinctly atmospheric, with an emphasis placed on scenes of sustained tension, without sacrificing the grand spectacle audiences come to these movies for.
Trevorrow co-wrote the screenplay with Derek Connolly, and they’ve devised a great reason to return to Isla Nublar. At first, the story seems like a re-tread of The Lost World: Jurassic Park, complete with paramilitary personnel rounding up the surviving animals and Ted Levine as a grizzled big-game hunter. Then, the movie swerves in an interesting direction, one which the trailers have misdirected us away from.
The film is paced marvellously, packing in action – and more importantly, action with some variety to it. It’s a given that most of the characters will spend a lot of time running away from dinosaurs. There’s that, to be sure, but there are also creepy, well-staged moments steeped in shadows and incorporating a sense of claustrophobia that are exceedingly effective.
Several of the dinosaurs possess enough personality to be accepted as characters. Blue’s bond with Owen is further developed, and both she and the T. rex get their share of ‘hero’ moments. Animatronic effects are used more than they were in the preceding film. Neal Scanlan, the creature effects supervisor for the recent Star Wars films from The Force Awakens onwards, oversees the practical dinosaur effects. He and his team have done excellent work, and the computer-generated visual effects are a notch above those seen in the previous film too. There’s even physical comedy courtesy of a rambunctious Stygimoloch.
The film is at its best when it echoes and builds upon the themes inherent in the first film and the source novel by Michael Crichton. The manmade dinosaurs could be viewed as an affront towards nature, with nature now reclaiming itself by way of the volcanic eruption. Hammond and Lockwood opened Pandora’s Box, and there’s no coming back from that. Jeff Goldblum’s Ian Malcolm pops up in a cameo reiterating his initial fears of the implications resurrecting dinosaurs would have. These creatures were intended as theme park attractions, which seems innocent enough, but the applications for this technology were never going to stop there. The film tackles this in a slightly deeper, headier way than one might expect from summer popcorn entertainment.
Owen and Claire are good people who have unwittingly been used by bad people for their own ends. Both characters seem less like the broad caricatures they were presented as in the previous film, giving Pratt and Howard more to work with. Owen and Claire grapple with their involvement in Jurassic World, and how much of the chaos that unspools in this film is their fault. They also find themselves in the thick of the action and have so many near-misses that they come across as at least a little superhuman.
Some of the new characters are played a little too broadly, especially Justice Smith’s anxious tech expert. The human villains aren’t dimensional enough and have straightforward, avaricious motivations.
The new addition to the cast that stands out is Isabella Sermon, who plays Lockwood’s precocious granddaughter Maisie. Beyond being the requisite imperilled child each of these movies must have at least one of, she becomes integral to the plot and protecting her gives Owen and Claire a secondary objective.
The new dinosaur being highlighted is the Indoraptor, following in the clawed footsteps of the previous film’s Indominus rex. Just as the Velociraptors have generally been scarier than the T. rex in previous Jurassic films, the vicious Indoraptor is considerably more menacing than the Indominus rex, proving a formidable foe for our heroes, human and dinosaur alike.
Jurassic World: Fallen Kingdom is the best film in the series since the first. It packs in all the exhilarating theme park ride-thrills we expect from the series, while attempting to bring the moral and ethical quandaries at the heart of the premise back to the surface. The film is a satisfying experience, while naturally leaving the door open for a sequel. Stick around past the credits for a fun little stinger scene.
RATING: 4.5 out of 5 Stars