Annabelle Comes Home review

For inSing

ANNABELLE COMES HOME

Director: Gary Dauberman
Cast : Mckenna Grace, Madison Iseman, Katie Sarife, Patrick Wilson, Vera Farmiga, Michael Cimino
Genre : Horror
Run Time : 1 h 46 mins
Opens : 26 June 2019
Rating : PG13

            The third film in the Annabelle series and the seventh film in the Conjuring franchise overall welcomes audiences back to the Warren Occult Museum, where things go bump in the night.

After the events of the first Annabelle movie, paranormal investigators and demonologists Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren bring the cursed doll Annabelle back to their home for safekeeping. Annabelle is not haunted per se but is a beacon that attracts and awakens other ghosts. Blessed by a priest and kept behind a glass case made from a church window, Annabelle can do no more harm – or at least, that’s the plan.

The Warrens hire teenager Mary Ellen (Madison Iseman) to babysit their daughter Judy (Mckenna Grace) while they’re away. Curious about the Warrens, Mary Ellen’s friend Daniela (Katie Sarife) comes to the house and breaks into the secret room containing Annabelle and other objects that are either cursed, possessed or were used in occult rituals. This unleashes a litany of horrors which the three girls must outrun.

In the wake of the success of the Marvel Cinematic Universe, every studio wants a ‘universe’ of their own. The Conjuring Universe is the rare example that has worked, with the seven films making almost $1.7 billion collectively worldwide. Annabelle Comes Home demonstrates one of the reasons why the franchise is successful: the real-life Warrens conducted so many investigations that there’s a rich well to draw from. Every object in the Warrens’ museum has a story behind it, and Annabelle Comes Home shows us what happens if everything in that room came alive at once. As a result, Annabelle herself is more a supporting character, sharing the limelight with various other unearthly entities.

Annabelle Comes Home is the directorial debut of Gary Dauberman, who wrote the earlier two Annabelle films, The Nun and the two It films. Dauberman creates delightfully tense scenarios, constructed for audiences to point at the screen and yell “behind you!” This is a movie that is best watched with a crowd because it is designed as a theme park attraction, a haunted house combined with a roller coaster. There are shades of Night at the Museum and Disneyland’s classic Haunted Mansion, in which each ghost has a rich backstory.

There are jump scares aplenty, but the film retains the audience’s goodwill by being just self-aware enough without being overly cynical. Annabelle Comes Home has a sense of humour about it but always wants to be genuinely scary. The early 1970s setting also provides the movie with a good deal of texture, with one particularly inspired set-piece involving the board game Feeley Meeley.

This movie is geared towards a younger audience than the other Conjuring films are – in Singapore, it has a PG-13 rating despite having an R rating in the US. The characters still sometimes do extremely stupid things, but are overall much more likeable than in typical horror movies geared towards teens.

13-year-old Mckenna Grace has amassed an impressive résumé, with film and television credits including I, Tonya, Captain Marvel, Designated Survivor and The Haunting of Hill House. Having been raised by paranormal investigators, Judy knows a thing or two about the supernatural, so she isn’t just the typical horror movie kid in peril. Judy isn’t afraid of many things, but is especially afraid of Annabelle, which conditions the audience to fear the doll too.

Madison Iseman plays the sweet, caring babysitter, with Katie Sarife as her more rebellious, troublemaking friend. Sarife’s character is deliberately annoying, and it’s only later that we learn there’s a bit more to her, even if the emotional beats centred around her character don’t really work. Between the three characters, there’s a lot of screaming to go around, but the movie has fun with the dynamic of the younger girl protecting the older girls when it’s expected to be the other way around.

Patrick Wilson and Vera Farmiga show up in what amounts to an extended cameo, but their appearance in this film means it has a much stronger connection to the mainline Conjuring series than the other spinoffs do. However, their appearance also reminds us that some of the ideas in this movie were probably rejected from the upcoming The Conjuring 3 – one Warren investigation which producer James Wan earlier said could be the basis of The Conjuring 3 is briefly covered in this movie.

The breakout character is Bob (Michael Cimino), an earnest awkward boy with a crush on Mary Ellen who inadvertently gets caught in the chaos.

Annabelle Comes Home is not a particularly haunting movie and won’t linger in the dark corners of one’s mind the way the best horror movies do. It is entertaining and thrilling and will elicit its share of shrieks and nervous laughter. Go with a bunch of friends and try not to grab their arms too hard.

RATING: 3.5 out of 5 Stars

Jedd Jong

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