STRUT YOUR STUFF
The cast and creatives of Kinky Boots discuss the award-winning musical, making its way to Singapore for the first time
By Jedd Jong
From 5 – 14 October 2018, the stage of the Sands Theatre at Marina Bay Sands Theatre will be transformed into the assembly line of the Price and Son Shoe Factory. This is the main setting of the musical Kinky Boots, adapted from the 2005 film of the same name. The musical was first staged in Chicago in 2012 and went on to be a smash hit on Broadway and the West End, winning awards including Best Musical and Best Original Score Tony Awards. The show boasts music and lyrics by rock star Cyndi Lauper and a book by Harvey Fierstein.
Kinky Boots is set in Northampton, England, where Charlie Price has just inherited a shoe factory from his father. Without any ongoing contracts, the factory is about to be shut down, and Charlie finds himself at an impasse. A chance encounter with the flamboyant, assertive drag queen Lola changes both their lives. Charlie learns that the heels on Lola’s boots keep snapping, because the boots Lola wears weren’t designed to withstand a man’s weight. Charlie decides to make boots for Lola and her troupe of drag performers, changing the factory’s output from men’s dress shoes to “two-and-a-half feet of irresistible, tubular sex”. Charlie and Lola form an unconventional partnership, with the goal to debut a collection of boots at the prestigious Milan International Shoe Exhibition.
This production has gone to U.S. states including Philadelphia, Arizona, Colorado, California and Vermont since September 2017. From June to August, the production then toured China, with stops in Shanghai, Guangzhou and Beijing. After its Singapore stint, the tour will return to the U.S., visiting states including Kentucky, Alabama, Florida, Indiana and Tennessee.
inSing spoke to members of the cast and crew about their experience being on the road with Kinky Boots. Lance Bordelon stars as Charlie, but was not available to speak to the media at the press call. As the actor playing Lola, Jos N. Banks has most of the spotlight on him. Banks described the show as being “about love and acceptance” and said that’s why it’s been received so well.
Most of Lola’s musical numbers, especially her introductory song Land of Lola, are as bold and flashy as the drag queen herself. However, Banks’ favourite moment in the show is the song Not My Father’s Son, which showcases Lola at her most vulnerable, recalling the expectations placed on her growing up by her father. “It’s the first time in the show that the audience really gets to connect with Lola because it’s pared down,” Banks said, adding “you don’t see the big wig and costumes, you see Lola as a person, and that’s the moment you instantly connect with the audience.” The song starts off with just the piano and Banks’ voice. “There’s something very beautiful and I think there’s something very remarkable in the silence of it all,” he concluded.
Company manager Andrew Terlizzi called the show “a story that reaches everybody.” On the effect the show has had on audiences, he said “Chinese audiences who have never done drag performances themselves were inspired to come in full drag to see the show.” Terlizzi said the show had “opened [audiences’] eyes that they can be who they are”.
Wardrobe supervisor Michael Lavin oversees the show’s costumes, including those all-important boots. “We have a lot of very specific items that have to be maintained to very specific directions,” Lavin noted, adding that finding local suppliers and replacement parts when the show is on tour can be a challenge.
Dancing in said boots can seem like a formidable feat, but the performers in Kinky Boots make it look easy. “After a couple of weeks, you get used to it,” Philip Stock, who plays one of Lola’s Angels, told us. “There’s a different centre of gravity, you have to engage your core in a way you wouldn’t normally, but once you figure all that out, it’s normal,” he remarked.
Stock’s fellow Angel, Derek Brazeau, reiterated the show’s message: “just be who you want to be.” “All of us having differences is what makes us human. We’re not perfect, and I think that’s what makes us beautiful,” Brazeau said.
We spoke to the musical’s leading ladies Sydney Patrick and Hayley Lampart, who play Lauren and Nicola respectively. Lauren is a factory worker at Price and Son who finds herself falling for Charlie, but there’s a complication: Charlie’s already engaged to Nicola, who can be demanding and has grown frustrated with Charlie’s mission to make boots for drag queens.
Patrick cited Everybody Say Yeah, the closing number of Act One, as her favourite part of the show. “That’s when we decide as a factory that we’re gonna go through with the plan,” Patrick said, describing the number as “just a party onstage and everyone’s dancing on the factory pieces”. The conveyor belt on the factory floor splits apart, forming individual treadmills that the factory workers dance on. “It’s scary in the beginning when you’re learning it,” Patrick said of dancing on the treadmill. “We had a gymnastics day, when everyone was learning how to flip and stuff. Now, it’s normal. It’s just fun as this point.”
Patrick recalled how her mother introduced her to the film when Patrick was a teenager. my Mum said ‘I saw this cool independent British film’ – my Mum’s all into independent films. She sat me down and made me watch it with her. It’s so amazing, and many years later, I was like ‘there’s this musical called Kinky Boots’ and she said ‘that’s the movie I showed you!’” She told us that her parents were excited and proud to see her join the cast of the show, and would travel to watch the show as it went to different locales.
Lampart recalled watching the original Broadway production while she was in college in New York City. “I went out and saw it right away because it was such a hit immediately,” she said. “Billy Porter and Stark [Sands], it was the dream cast. Annaleigh Ashford, they were so good, Lena Hall. When I saw it, I remember being like ‘oh my god, this would be so cool to be in,’ and it’s so crazy that it happened! Here I am, in Singapore.”
Both Patrick and Lampart have performed on cruise lines: Patrick on Disney Cruises and Lampart on Norwegian Cruise Lines. Patrick described herself as a “travel addict” and enjoyed visiting the different ports of call, but there are challenges to working on a cruise ship too. They touched on the difficulty of keeping in contact with the outside world and that the nature of a cruise is that time zones keep getting crossed.
“It’s such a fast-paced life and I really like that, I think I’m very adaptable because of that,” Lampart said of working as an entertainer on a cruise ship.
The Lauren character’s solo number is a wistful lament called The History of Wrong Guys, in which she reflects on her dating past and realises she’s falling for Charlie. When asked to offer romantic advice to those who seem to keep ending up with wrong guys (and/or gals), Patrick offered “If you are authentically you, you’ll attract someone who loves you, so you don’t have to try, you don’t have to try and prove anything to anyone. I think that’s probably the best lesson to do when you’re looking for your Mr or Mrs Right”.
The life of a touring theatre performer can be an arduous one, involving eight performances a week, moving from city to city, and long periods spent away from home. However, it is one that Patrick and Lampart find rewarding.
“I think we live in a world that can be very disconnected and very impersonal because of technology, texting and social media,” Patrick said. “Hopefully people who come to see theatre witness raw emotion that they can connect with and can think ‘I’m not alone’ or ‘I’ve had that experience before’ and they can open their hearts and minds to other people’s stories.”
Lampart remarked that shows like Kinky Boots “don’t come often,” and that the show’s directors told the cast as much. “They said this show makes such an impact on people and when you walk offstage every night after the finale, you just feel the feeling of maybe, hopefully changing someone’s perspective. It’s such an amazing feeling,” she enthused.
Tickets start at $65 (not including $4 booking fee) for D Reserve Seats. Tickets are available here.