Director : Hans Petter Moland
Cast : Liam Neeson, Laura Dern, Tom Bateman, Emmy Rossum, William Forsythe, Julia Jones, Domenick Lombardozzi, Raoul Trujillo, Tom Jackson
Genre : Thriller/Crime/Comedy
Run Time : 1 h 59 mins
Opens : 21 February 2019
Rating : M18
When the 2014 Norwegian film In Order of Disappearance was released, comparisons to Taken were immediately made. It’s only fitting that Liam Neeson star in the American remake of that movie.
Neeson plays Nelson “Nels” Coxman, a snowplough driver in the ski resort town of Kehoe, Colorado. The death of his son Kyle (Micheál Richardson) leads to a rift between Nels and his wife Grace (Laura Dern). Nels grows suspicious of the circumstances surrounding his son’s death, soon convinced it was murder. Nels embarks upon a bloody path of vengeance that will eventually lead him to drug lord Viking (Tom Bateman). Nels calls upon his brother Brock (William Forsythe), who has previously had dealings with underworld figures. Local cop Kim (Emmy Rossum) begins investigating a string of violent occurrences, as Nels unwittingly incites a war between Viking and rival drug lord White Bull (Tom Jackson).
Cold Pursuit is directed by Hans Petter Moland, who also helmed In Order of Disappearance. This is a faithful remake that benefits from preserving the darkly comedic tone of the original. The film’s screenplay by Frank Baldwin also does a fine job of recontextualising the plot, substituting the rival Serbian gang from the Norwegian movie with a Native American one. There are also copious references to Colorado’s legalisation of marijuana and some the race-related humour is irreverent but not wildly offensive.
We’ve become accustomed to seeing Liam Neeson star in gritty revenge thrillers, so the snowy ski resort setting and the tongue-in-cheek tone help to switch things up. Not all the jokes land and the humour is sometimes a little too broad, especially compared with the original, but there’s an admiral tonal consistency. The grim violence is leavened with humour, not entirely unlike how the Coen Brothers or Quentin Tarantino would handle it. While the film’s dark devil-may-care attitude brings a degree of unpredictability to the proceedings, the standard crime movie dealings and double-crosses can be a touch tedious. While the movie isn’t boring, it feels awkwardly-paced at times.
It’s hard to discuss this movie without Liam Neeson’s comments during a promotional interview overshadowing it. Whatever your take on the actor’s shocking admission, it’s fair to say that a promotional interview for a revenge comedy wasn’t the right time or place for that to be aired, but as hurtful as it is to hear those comments, this reviewer also feels the resulting aftermath needs to be viewed in context and not blown out of proportion.
Putting that aside for the moment, Neeson is a great choice for the lead, since he embodies the ‘everyman badass’ type like few other actors can. The movie riffs on his Taken reputation – while it is a black comedy, Neeson plays his role largely straight. There is more than a whiff of ridiculousness to the notion of a snowplough driver-turned avenging angel and nemesis of the criminal underbelly, which the film leans into just enough.
Tom Bateman scowls and sneers his way through the role of drug lord Viking, going the right amount of over-the-top. The supporting characters in Viking’s gang are given tiny bits of personality, Domenick Lombardozzi’s Mustang being the most likeable. Nicholas Holmes is endearing as Viking’s son Ryan, who has the misfortune of having a criminal father.
Emmy Rossum’s detective character isn’t too interesting, and Laura Dern is almost completely wasted in what is almost a non-existent role. Raoul Trujillio is equal parts funny and intimidating – one of the film’s funniest moments is when Thorpe threatens a hotel receptionist with a devastating review on Yelp.
Tom Jackson lends gravitas to White Bull. One of the film’s best scenes has White Bull silently walk through a hotel gift shop selling Native American souvenirs that are really made in China, observing how his culture has been commodified for tourists. The film does tread on somewhat uncomfortable territory with its afore-mentioned racial humour, but it never feels mean-spirited.
Cold Pursuit benefits from a wicked sense of humour and Liam Neeson’s finely-calibrated performance. There’s novelty factor of a director remaking his own foreign-language film in English, like Michael Haneke did with Funny Games or Takashi Shimizu with The Grudge. Audiences who are expecting a non-stop action-oriented movie like some of Neeson’s other late-career efforts might be disappointed, but there will be an audience for this movie’s blend of stark violence and bitter wit.
RATING: 3.5 out of 5 Stars