Star Trek Beyond

For F*** Magazine

STAR TREK BEYOND 

Director : Justin Lin
Cast : Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, John Cho, Anton Yelchin, Idris Elba, Sofia Boutella, Shohreh Aghdashloo
Genre : Action/Sci-Fi
Run Time : 123 mins
Opens : 21 July 2016
Rating : PG13 (Some Violence)

Star Trek Beyond poster          The crew of the U.S.S. Enterprise are marooned in the third instalment of the rebooted Star Trek movie series. It is three years into the Enterprise’s five-year deep space exploration mission, and Captain James T. Kirk (Pine) is beginning to feel fatigued. Kirk, Commander Spock (Quinto), Lieutenant Nyota Uhura (Saldana), medical officer Dr. Leonard “Bones” McCoy (Urban), chief engineer Montgomery “Scotty” Scott (Pegg), helmsman Lieutenant Hikaru Sulu (Cho), navigator Ensign Pavel Chekov (Yelchin) and the rest of the ship’s crew arrive at the Federation’s new Yorktown space station for a well-deserved break. However, they are abruptly called into action again on a rescue mission, and are suddenly besieged by an unknown enemy. The ruthless alien Krall (Elba) is after an artefact held aboard the Enterprise, and stranded on the planet Altimid with no means of escape, the crew must fend for themselves. Luckily, they have the help of a warrior named Jaylah, who has a long-standing vendetta against Krall.

Star Trek Beyond Simon Pegg, Sofia Boutella and Chris Pine

The rebooted Star Trek films, 2013’s Star Trek Into Darkness in particular, have proven divisive amongst audiences. Stalwart fans of the originals 60s TV show decry the reboots as being too action-oriented and straying from the spirit of Gene Roddenberry’s sci-fi creation, while general audiences and the majority of critics have lauded the films for revitalising the franchise. Owing to his duties helming the seventh instalment of that other sci-fi juggernaut, J. J. Abrams passes the directorial baton on to Justin Lin of Fast and Furious fame. Screenwriting duo Roberto Orci and Alex Kurtzman, who have not exactly been popular amongst fans, are replaced by Simon Pegg and Doug Jung. Star Trek Beyond is very much a straightforward adventure, close enough to the spirit of the original series, while also showcasing the wham-bam action spectacle Lin has become known for.

Star Trek Beyond Zachary Quinto, Sofia Boutella and Karl Urban

Star Trek Beyond does feel a little scaled down from Into Darkness, but that’s not necessarily a bad thing. There’s still an epic sweep here: we’re treated to a jaw-dropping establishing shot of the gleaming, futuristic bauble that is the Yorktown space station, accompanied by a stirring, uplifting score from composer Michael Giacchino. The scene in which Kirk pulls off some rad motorcycle stunts did induce its share of eye-rolling when it was glimpsed in the trailer, but it doesn’t feel out of place in the movie itself. The climactic zero-g melee is reasonably inventive too. The destruction of the Enterprise is suitably intense and dramatic, but is marred by an overuse of shaky-cam, which affects most of the close quarters fights in the movie.

Star Trek Beyond Krall vs. Enterprise crew member

The biggest shortcoming here is the central villain Krall. One can’t help but feel that the layers of prosthetic makeup somewhat diminish Elba’s innately towering presence, and as a brutish baddie chasing a MacGuffin that our heroes have in their possession, he’s a somewhat generic action movie villain. Say what you will about the big twist in Into Darkness, but Benedict Cumberbatch’s performances was that film’s centre and was nothing short of electrifying. Yes, there is an element of mystery to Krall, but when his back-story is revealed, it can’t help but come off as underwhelming.

Star Trek Beyond Enterprise crew on the bridge

Fortunately, Star Trek Beyond makes excellent use of its returning characters. The cast for Star Trek ’09 remains one of the finest remake/reboot casts ever assembled, with each actor grasping the essence of those iconic figures without doing a mere impression. The camaraderie and banter amongst the crew continues to feel earnest. Urban’s cantankerous Bones has always been this reviewer’s favourite character in the rebooted films, and here, he gets to steal the show on multiple occasions, with Urban delivering several side-splitting lines. Pine is allotted multiple moments to be the dashing action hero, while Quinto masterfully parses the humour inherent in Spock’s obtuseness and the character’s dedication to the crew.

Star Trek Beyond Anton Yelchin, Chris Pine and John Cho

There has been considerable furore surrounding the decision to establish Sulu as gay in this continuity, with original Sulu actor George Takei himself being one of the biggest opposing voices. In the film, we see Sulu greeted by his husband and their young daughter as he arrives at Yorktown spaceport. It’s a sweet scene and is really no big deal. The passing of Leonard Nimoy, who originally played Spock and appeared in the first two reboot movies as Spock Prime, is handled with admirable sensitivity within the film. The ending credits include dedications to both Nimoy and Anton Yelchin, who recently died in a freak accident. We missed Spock Prime, and will definitely miss Chekov when the fourth film arrives.

Star Trek Beyond Sofia Boutella and Simon Pegg

Jaylah was apparently inspired by Jennifer Lawrence’s character in Winter’s Bone (say the name ‘Jaylah’ out loud). The character’s design is striking and Boutella, best known as Gazelle in Kingsman: The Secret Service, possesses the requisite physicality to play the badass warrior. Unfortunately, the character can’t help but come off as a standard-issue tough, resourceful woman at times – a studio-mandated ‘strong female character’. That said, Jaylah feels like a natural addition to the Star Trek universe and allows Boutella to further exhibit the star quality which served her so well in Kingsman.

Left to right: Zoe Saldana plays Uhura and John Cho plays Sulu in Star Trek Beyond from Paramount Pictures, Skydance, Bad Robot, Sneaky Shark and Perfect Storm Entertainment

Star Trek Beyond is generally entertaining and thrives on the excellent chemistry this particular cast has fostered, but it does tend towards the generic. There aren’t too many surprises in store, but Lin’s valuing of the emotional beats in addition to the action does benefit the tone. It’s also reasonably self-contained, and newcomers unfamiliar with volumes of Trek lore won’t feel left out.

Star Trek Beyond Anton Yelchin and Chris Pine escaping explosion

Summary: Star Trek Beyond strives to reach a compromise between the feel of the original series and the rebooted films, generally succeeding in this regard. A lack of surprises and an uninteresting villain are made up for with entertaining character dynamics and well-executed action.

RATING: 3.5 out of 5 Stars

Jedd Jong

Cymbeline

For F*** Magazine

CYMBELINE 

Director : Michael Almereyda
Cast : Ethan Hawke, Milla Jovovich, Dakota Johnson, Penn Badgley, Anton Yelchin, Ed Harris, John Leguizamo, Delroy Lindo, Bill Pullman
Genre : Drama
Run Time : 99 mins
Opens : 30 April 2015
Rating : NC-16 (Some Violence)
Shakespeare is the gift that keeps on giving, artists of all kinds continuing to find inspiration in the Bard’s work centuries after his death. The play Cymbeline provides the basis for this crime drama, which updates the setting of Ancient Britain to the present day. Instead of being the King of Britain, Cymbeline (Harris) is the leader of the Briton biker gang. His daughter Imogen (Johnson) is in love with the lowly Posthumus (Badgley), whom Cymbeline has taken on as a protégé, and has married him in secret. An enraged Cymbeline exiles Posthumus. Iachimo (Hawke) bets Posthumus that he can seduce Imogen and bring him proof. In the meantime, Cymbeline’s wife the Queen (Jovovich) hatches a plot to murder Cymbeline and have Cloten (Yelchin), her son from an earlier marriage, marry Imogen so he can usurp Cymbeline’s place as head of the gang. Also under threat is the fragile truce between Cymbeline and corrupt policeman Caius Lucius (Vondie Curtis-Hall), the King’s empire slipping through his fingers.

            Cymbelineis adapted and directed by Michael Almereyda, known for his 2000 film adaptation of Hamlet. Almereyda’s Hamlet, which starred Ethan Hawke in the title role, was also a setting update – Hawke delivers the “To be or not to be” soliloquy while wandering the aisles of a video rental store. With Cymbeline, Almereyda was clearly inspired by Kurt Sutter’s TV series Sons of Anarchy, which revolves around a biker gang and takes inspiration from Hamlet. Cymbeline was even titled “Anarchy” at one point. Alas, it’s very clear that Almereyda is struggling to jam a square peg into a round hole, but not for lack of trying. The film strains to make its re-contextualisation a successful one, ultimately failing. Cymbeline is generally not regarded as one of Shakespeare’s greater plays and it has been noted that it recycles elements from the Bard’s earlier works, including Romeo and Juliet, Othello and Hamlet.

            Second-rate Shakespeare is still high art, and this adaptation retains most of the original dialogue. Hearing the signature iambic pentameter outside of its intended context can be jarring if handled clumsily, and this take on Cymbeline has butter fingers. The original text has been abridged but not streamlined, the dense, labyrinth plot still pretty confusing. While Ethan Hawke looks like he knows what he’s doing, Penn Badgley and Spencer Treat Clark often deliver their lines as if they were reading the ingredients off the back of a shampoo bottle. Anton Yelchin bites into the Cloten role with glee, but his whiny performance gets annoying pretty fast. Regardless of how good an actor one is, it’s impossible to make the line “On her left breast/A mole cinque-spotted, like the crimson drops/I’ th’ bottom of a cowslip” sound naturalistic in a contemporary context, and perhaps it was never meant to be that way.

            Ed Harris as the tough leader of a biker gang? Sure, we’ll buy that. Ed Harris as the tough leader of a biker gang trying to make the line “Thou took’st a beggar; wouldst have made my throne a seat for baseness” sound like something the tough leader of a biker gang would actually say? That’s a harder sell. Both Milla Jovovich and Dakota Johnson are very stiff throughout the film, Johnson playing Imogen with an “ugh, whatever” air. Jovovich does get to perform an appropriately moody cover of Bob Dylan’s “Dark Eyes”, one of several atmospheric touches that are limited in their effectiveness thanks to everything else.

            We know we sound like a broken record, going on about how awkward and stilted the film comes off in its presentation, but that’s because Cymbelinecould have been saved. It could have worked as a dramatic romance set against a war between a biker gang and corrupt cops, had Almereyda not been so precious about retaining the original text. There’s an attempt at verisimilitude, with characters scrolling through photo galleries on their iPads and looking up locations on Google Maps, but it still rings false. Re-contextualisations can work, if they’re handled deftly enough or if they revel in the silliness of the premise and spin a colourful alternate world around the story. Cymbeline is neither and falls flat because of it.

Summary:Some excellent actors and several mediocre ones are all left high and dry by this unwieldy adaptation that most audiences will find alienating and odd.
RATING: 2out of 5 Stars
Jedd Jong