STGCC 2017 Mega Picture Post: Day 2

Here’s the Mega Picture Post for Day 2. I had a little more fun because I had gotten my bearings, but the layout still did throw me for a loop. I spent most of this day hanging out with my friend Shaun, who was dressed as the Joker and stopped for lots of photos with children, none of him he killed – so he didn’t go all the way into character. Please check out Day 1’s Mega Picture Post here.

Jay as Doctor Strange

Shaun as the Joker in the Millennium Falcon

Is the Joker worthy?

Mjolnir may have made its choice, but that doesn’t mean Thor has to approve.

KO!

The Marvel gang seems quite accepting of the Joker.

Eunice as Harley Quinn and Alice as Poison Ivy

Joker gets all the gals

Something the Joker is very used to.

Another Tiny Rey

The reptilian conspiracy is real!

The First Order assembles

Theresa as Velma

Joker and Dany

Spider-Man vs. Doc Ock

Abigail as Wonder Woman

Another Harley and her best friend (or maybe something more)

“Chewie…we’re home”

Alexander as Anakin Skywalker: “Grandson, why?!!?”

All the Tiny Reys!

The Comic Giants panel (From left): C.B. Cebulski, Adi Granov, Art Adams, Frank Cho, Sonny Liew

Don’t breach the quarantine zone!

Cheryl as Black Canary

James C. Mulligan speed-painting

I wonder what that could be

Ah, I see it now

5 minute master piece

ILM Singapore visual effects supervisor Nigel Sumner speaking about the visual effects of Rogue One

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Rejected Scarif Imperial Citadel designs

Rejected Scarif Imperial Citadel designs: hammerhead

Rejected Scarif Imperial Citadel designs: Batman

Rejected Scarif Imperial Citadel designs: Don’t know what this resembles

Viv as Kida and Dom as Milo

Tiny Rey!

Jaylah from Star Trek Beyond

Red Hood and Joker

Hikka as Rapunzel

Joker and Deadpool slapfight!

With the gorgeous Cara Keilani as Miranda Lawson

Jaye as Chell

Fiz as Narrator Core, Neptys as GLaDOS and Jaye as Chell

Life-sized Gladiator Hulk and Thor by Hot Toys

Hot Toys’ Wonder Woman

Hot Toys’ Justice League Batman and Batmobile

Hot Toys’ Justice League Batman

Hot Toys’ Executioner Trooper

Hot Toys’ Kylo Ren

 

Big ol’ group shot to cap off the event

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Spider-Man: Homecoming Singapore red carpet and press conference

For F*** Magazine

THIS IS HOME, TRULY: SPIDER-MAN HOMECOMING STARS IN SINGAPORE
F*** meets Tom Holland and Jacob Batalon at the Spider-Man: Homecoming red carpet

By Jedd Jong

Three years after hosting Andrew Garfield and the other stars and filmmakers of The Amazing Spider-Man 2, a newly-minted web-slinging hero has arrived on our shores. Tom Holland, star of Spider-Man: Homecoming and Jacob Batalon, who plays Ned Leeds, graced the red carpet at the ArtScience Museum at Marina Bay Sands, Singapore on Wednesday, 7 May. F*** was there as attendees greeted the latest actor to don the red and blue bodysuit.

Singapore is the first stop for the Spider-Man: Homecoming promotional tour; the movie opens in around a month’s time. Sony Pictures, which holds the film rights to the Spider-Man character, reached a deal with the Disney-owned Marvel Studios, leasing the character to the latter so Spider-Man could appear in the Marvel Cinematic Universe. This allows Spider-Man to interact with the other heroes in the larger Marvel universe, something which fans have long been hankering for. The title not only refers to the American high school tradition of the Homecoming dance, but has the meta-fictional implication that Spider-Man is now back where he belongs, standing shoulder-to-shoulder with other Marvel characters.

This incarnation of the character was introduced in 2016’s Captain America: Civil War, aiding Team Iron Man in their fight against Team Cap. Spider-Man: Homecoming depicts how Peter Parker/Spider-Man’s existence is irrevocably changed after his return from the monumental airport showdown in Leipzig. Peter deals with life as an average high-schooler, but yearns to fight crime alongside the Avengers. Peter’s mentor Tony Stark/Iron Man (Robert Downey, Jr.) cautions him against biting off more than he can chew, but Peter is determined to prove his worth. Spidey battles Adrian Toomes/The Vulture (Michael Keaton), who uses stolen alien technology salvaged in the wake of the Avengers’ battle against the Chitauri to create cutting-edge weapons and gear. The Vulture and his cohorts Phineas Mason/Tinkerer (Michael Chernus) and Herman Schultz/Shocker (Bokeem Woodbine) menace New York City, endangering Peter’s loved ones – especially his dear Aunt May (Marisa Tomei).

Deejays Justin Ang and Vernon A, known collectively as ‘the Muttons’, were the emcees for the closed-door event, during which select fans and a contingent of cosplayers dressed as various versions of Spider-Man and Spider-Woman from across the Spider-verse got to meet Holland and Batalon. A stuntman dressed in the Spidey costume leaped onstage and posed for the cameras. The actors then took questions from the media at a press conference moderated by actor Adrian Pang.

Holland has starred in films like The Impossible, In the Heart of the Sea, How I Live Now, Locke and The Lost City of Z – and he’s all of 21-years-young. He got his start in showbiz playing Billy Elliot in the eponymous West End musical. When asked what his impression of Singapore was, Holland enthused that it was as if he had “flown to a better planet,” describing the country as “so modern and beautiful”. Holland and Batalon posted the requisite selfie taken in the Marina Bay Sands Hotel’s famous rooftop Infinity Pool on Instagram. Also seen in the photo was Harrison Osterfield, Holland’s best friend who worked as a production assistant on Spider-Man: Homecoming.

This is Batalon’s second movie credit; his first being the independent horror film North Woods. He described the experience as “surreal”, and that “every day felt like a dream.” Batalon plays Ned Leeds, who in the comics is Peter’s colleague at the Daily Bugle newspaper. The film alters the character such that he is Peter Parker’s best friend in school, and it was clear that Batalon and Holland shared an easy chemistry. “I hope to never wake up,” Batalon added wistfully. The scene in which Ned dons Peter’s Spider-Man mask was improvised by the two, and it got such a good reaction from the crew that director Jon Watts decided to build a scene around the gag.

Holland has been upfront about how big a Spider-Man fan he’s been since childhood. At the Empire Awards five years ago, when a reporter asked Holland which superhero he’d like to play, Holland answered “I’d like to be the Spider-Man after Andrew Garfield, in ten years.” He didn’t know he’d get his turn much sooner.

When Holland heard that Spider-Man would be recast, he begged his agent to pursue the role. Holland weathered a protracted process of auditions and screen tests, eventually working his way to a screen test with Downey Jr. himself. “The further down the line I got, the closer I got to the part, the more I wanted it,” Holland shared earnestly. Funnily enough, Holland found out that he was selected for the coveted role via an announcement on Instagram. “My brother Harry, he’s quite savvy with computers, and he told me ‘dude, they’ve probably been hacked,’” Holland recalled. Shortly after learning the news of his casting, Holland received a call from Marvel Studios president Feige, making it truly official.

When Pang asked if Holland felt any pressure from taking on the mantle of such an iconic character, Holland gamely replied “I love pressure. Pressure is my thing, I find it a really good sort of fuel to motivate myself.”

Photo by Jedd Jong

What can fans get out of the movie that the previous big-screen versions of Spider-Man have yet to offer? “I don’t want fans to have to buy tickets to a movie they’ve already seen,” Holland declared. He asserted that Spider-Man: Homecoming “ground[s] the character in reality”. “We’ve seen the god, we’ve seen the billionaire and we’ve seen the scientist,” Holland reasoned, referring to Thor, Iron Man and the Hulk. “Now it’s really time to see what would happen if a kid got superpowers.”

Audiences will get to see what happens for themselves, when Spider-Man: Homecoming opens in theatres in Singapore on 6 July 2017.

Photos by Ore Huiying, Getty Images for Sony Pictures, unless otherwise stated.

Generally Speaking: War Machine press conference/red carpet

For F*** Magazine

GENERALLY SPEAKING

Brad Pitt dons the fatigues for Netflix’s comedy-drama War Machine

[Tokyo Exclusive]

By Jedd Jong

The meteoric rise of online streaming giant Netflix has made several major cinema chains quake in their boots, and for this particular battle, Netflix has come armed with one of the biggest movie stars of the last 20 years: Brad Pitt, who stars in and produces War Machine. F*** was at the Ritz Carlton hotel in Tokyo for a press conference attended by Pitt, writer-director David Michôd and co-producers Jeremy Kleiner and Dede Gardner.

War Machine is based on the non-fiction book The Operators by the late Rolling Stone journalist Michael Hastings. Pitt plays General Glen McMahon, a thinly-veiled fictionalisation of real-life general Stanley McChrystal. A decorated soldier credited with the death of an Al Qaeda leader, McChrystal’s military career came to an end when disparaging comments he made about Vice President Joe Biden appeared in a Rolling Stone article.

Glen McMahon is characterised in the film as a blustering buffoon; Pitt visibly enjoying playing the over-the-top role. Pitt said that he and the filmmakers settled on certain traits, including the character’s awkward posture while running, by deciding what “just made [them] laugh the most.” Pitt observed that McMahon “portrays and sees himself as an emblem of greatness when actually he looks quite silly,” and that the “absurdity of the general” embodied the ultimate pointlessness of the seemingly endless war in Afghanistan.

Pitt was clad in a black jacket over a grey shirt and white trousers, seeming relaxed as he attempted to keep things light by cracking jokes. “I take full credit for the shorts,” Pitt quipped, referring to the shorts that McMahon wears while jogging. He dared all the men present to “start a new trend together” by mimicking the none-too-flattering look. The humorous comment didn’t draw much of a reaction from the Japanese press, and because of the need for questions and answers to be interpreted back and forth from English to Japanese and vice versa, there wasn’t much spontaneity or momentum to the proceedings.

Michôd said it was “terrifying” that the war in Afghanistan has been going on for 16 years. “I couldn’t work out why it has been going on for so long and how it is possible that people- who I would assume are quite smart and capable-are still pretending as though there is some kind of victory waiting for them just around the corner,” Michôd mused. After reading The Operators, it all clicked. “What I saw at the
centre of it was a character, a general who was kind of delusional because he was so removed,” Michôd revealed. In the book, Michôd saw how McChrystal’s ambition “removed him from the experiences of the troops on the ground, and from the civilian world that he was there to serve.” From Michôd’s point of view, the root of the protracted involvement of American and coalition forces in Iraq and Afghanistan was “plain human delusion”.

“Quite honestly, without a delivery system like Netflix, this movie wouldn’t have been made,” Pitt said, praising Netflix for taking risks on challenging material. He praised Netflix and online delivery systems like it, saying that thanks to these platforms “there’s more content getting made, there’s more risk out there, there’s more films, there’s more stories being told, there’s more filmmakers getting shots.” All involved took a “big leap” for War Machine, which Pitt called a “big, bold move for Netflix, quite frankly.”

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Gardner echoed Pitt’s sentiments on Netflix, saying “I think everyone has similar intentions, but not everyone has the courage.” Gardner said she “could not have dreamed of a better partner” than Netflix, and that Plan B also had a positive experience working with Netflix for Bong Joon-ho’s upcoming film Okja. Gardner called the Netflix personnel “rock stars”, saying “we try and push boundaries in the stories we tell, and when you meet a company like Netflix who says ‘okay, we want to do that too,’ and they say ‘We have the money for it and we’ve got the manpower to support you’, it’s like a gift from on high.”

War Machine is available on Netflix from 26 May 2017

Read the full article in the upcoming issue of F*** Magazine

 

 

Sister Act the Musical Press Call

For F*** Magazine

SHE AIN’T HEAVY, SHE’S MY SISTER
F*** joins the congregation for the preview of Sister Act the musical
By Jedd Jong

The Asian tour of the musical Sister Act takes the soulful nuns to Singapore, following a U.S. national tour. F*** was at the MasterCard Theatres in Marina Bay Sands, Singapore, for the press call on 8th May 2017, ahead of the show’s premiere on 9th May. We were treated to a performance of two numbers from the show, spoke with some of the cast and crew, and took a backstage tour to get a glimpse of the production’s inner workings.

Based on the beloved 1992 film of the same name, Sister Act chronicles the misadventures of Deloris Van Cartier (Dené Hill), a lounge singer who inadvertently witnesses her mobster boyfriend Curtis (Brandon Godfrey) commit a murder. For her protection, Deloris is placed in a convent, where she runs afoul of the Mother Superior (Rebecca Mason-Wygal), a stickler for tradition. Deloris winds up revitalising the convent with an innovative approach to religious music, befriending Sister Mary Patrick (Emma Brock) and helping the shy Sister Mary Robert (Sophie Kim) unearth her powerful potential as a vocalist. In the meantime, Curtis gets wind of her whereabouts, as police officer Eddie Souther (Will T. Travis) hunts Curtis down.

Sister Act’s libretto was written by Bill and Cheri Steinkellner with additional book material by Douglas Carter Beane; with music by Alan Menken and lyrics by Glenn Slater. Menken and Slater have also collaborated on Disney’s animated films Tangled and Home on the Range, and the film-to-stage musicals The Little Mermaid, Leap of Faith and A Bronx Tale. Sister Act opened on London’s West End in 2009 and ran for just over a year, with a revised version of the show running on Broadway from 2011 to 2012. Sister Act was nominated for multiple Tony Awards, including Best Musical, Best Original Score and Best Performance by a Leading Actress in a Musical, but won none.

While the plot remains largely faithful to that of the film, audiences should expect some differences. The film tooks place in the early 90s, which is when it was made, while the musical is set in 1970s Philadelphia. Music director Chris Babbage described it as a “musical snapshot of a moment in history,” stating that the score incorporates elements of “disco, a little bit of funk, a little bit of Motown”.

 

Unfortunately for fans attached to the covers of I Will Follow Him, My God (My Guy) and Oh Maria performed in the film, those are absent from the stage version. “Everything in this score is fresh,” said Babbage. He promised “intricate harmonies among the nuns as they learn to sing and as they have their big show-stopping numbers, 2, 3, 4-part harmonies,” adding that the lead role of Deloris is vocally challenging because the disco numbers require a large range. Babbage’s personal favourite number is Fabulous, Baby!, which establishes Deloris’s character at the top of the show, that he said “encapsulates Deloris and her energy,”

Sophie Kim, who plays Sister Mary Robert, is the first Asian actress to win the role in an English-language production of Sister Act. Kim is an established musical theatre star in South Korea, having performed in productions of West Side Story, Dreamgirls, Mamma Mia and Rent there. In 2010, she made the leap to Broadway, attending the New York Film Academy’s Musical Theatre Conservatory, working hard to overcome the language barrier. She went on to play Gigi in Miss Saigon and Tuptim in The King and I. Kim explained the affinity she has with Mary Robert, saying “this character is just like me in [the] U.S. I obeyed and followed whatever [anyone] told me to do. I always followed rules as well.” According to her, it is Mary Robert who “is going through the biggest change in this show.” Kim admires how Mary Robert becomes a “really brave, amazing woman who can stand up for what she believes,” saying its why she loves the role.

Brandon Godfrey plays Curtis Jackson, the mobster who goes from Deloris’ boyfriend to ruthlessly pursuing her after she sees him kill a man. The equivalent character in the film was named Vince LaRocca, and in the first version of the stage musical, was named Curtis Shank. Godfrey, alongside the actors playing Curtis’ goons, performed When I Find My Baby for the press.

When asked if it’s more fun to play the bad guy, Godfrey replied “Oh, absolutely.” Godfrey, who also played the abusive Mister in The Colour Purple, said he is often cast in villainous roles “because of [his] size”. While he might play a tough guy on stage, Godfrey has a sensitive side: his favourite part in the show is when Mother Superior finds a Bible under Deloris’ pillow, and softens her attitude towards the nightclub singer. “The whole time, Mother Superior has been angry at this girl, and then she realises ‘wow, we’ve done our job’, so that’s my favourite part,” Godfrey said.

Production stage manager Molly Goodwin took a group of journalists backstage for a glimpse behind the scenes. Goodwin was also the stage manager for the 2014-2015 US tour of the show, and thus knew Sister Act inside-out. Five shipping containers are required to transport the set pieces, costumes and other gear. Goodwin showed us where she’s stationed during each show: a console with monitors showing the front-of-house and the music director in the orchestra pit, with a cue sheet on a stand indicating when various lighting, sound and set cues are meant to occur in the show. Goodwin explained that she has more than 12 people, handling various aspects of the production, in her ear via a headset during each show.

Goodwin introduced us to a star of the show with no lines: the statue of Mother Mary. The figure stands just under five metres tall, and is covered by a tarp whenever the curtain is down. The statue has two sides: for most of the show, the side painted in normal colours is what the audience sees. Then for the finale, the statue is spun around to reveal a facade completely covered in mirrored tiles, like a disco ball. The statue is not the only one who gets a sparkly makeover: the cast don sequinned habits for the climactic number Spread the Love Around, which was performed at the press call. Goodwin described the mass backstage costume change as being choreographed like a dance.

When this writer asked Goodwin how she deals with the stress of stage managing a major production like Sister Act, Goodwin said that she feels in her element, and that sitting behind a desk and accounting would be really stressful for her. She said she sometimes has to remind her co-workers, “Guys, guys, we need to take the stress level down! We’re not cutting anybody open, we’re playing dress-up and make-believe!”, adding “we just have to keep a realistic perspective on everything.”

What’s the biggest thing audiences can look forward to from Sister Act? According to Nancy Evans, who plays Sister Mary Lazarus, it’s a good time. She hopes audiences will find themselves “having fun and feeling good about themselves as well as the show,” adding that “it’s a high-energy show that makes people laugh and cry, and stand up and sing at the end.”

Sister Act is presented by BASE Entertainment Asia and runs from 9th May to 28th May at the MasterCard Theatres at Marina Bay Sands. Tickets are from $65 to $185 via Sistic and MBS.

Taste Paradise: Wonder Woman media launch

For F*** Magazine

TASTE PARADISE
F*** samples Wonder Woman-themed dishes at the DC Super Heroes Café
By Jedd Jong

After making her big screen debut in last year’s Batman v Superman: Dawn of Justice, superheroine Wonder Woman will finally get a movie of her own. Tying in to the highly-anticipated film, a homegrown marketing effort is rolling out Wonder Woman-centric accessories, apparel and food. F*** was at the DC Super Heroes Café in the Shoppes at Marina Bay Sands, Singapore, for the product launch on 4th May.

Irwan Sukarman, creative director of JT Network, presented the Wonder Woman product line that will be hitting the shelves of DC Comics Super Heroes fashion and lifestyle stores in late May. JT Network owns the retail stores and the café, under license from Warner Bros. Consumer Products. Sukarman stated that the design principle boiled down to the three elements of “mythology, metal and strength,” to convey the “fierce grace” which is central to the Wonder Woman character. The items include tops for men, women and children, coasters, headphones, iPhone cases and bangles.

The product design competition WeDesign has partnered with DC Comics Super Heroes stores and Vendermac Distribution, theming this year’s contest to Wonder Woman. On 20th May 2017, the atrium at Bugis+ mall will host a design marathon where 120 designers will work on a given Wonder Woman-themed design challenge over a 4-hour period. The top five entries will win cash prizes, movie premiere tickets and limited edition collectibles. The winners will undergo the process of turning their designs into an actual product collection to be launched in the market. Head project manager Lee Kwan Ter unveiled Vendermac’s range of clutches, sling bags, keychains, pouches and laptop sleeves, which feature washed faux-leather and brushed metal details.

Chef Martin Woo explained his inspirations behind the special menu. Last year, the café also had tie-in dishes in the run-up to promote Batman v Superman and Suicide Squad. The Wonder Woman menu card itself is shaped like the titular character’s shield. Chef Woo stated that the governing theme in devising the menu was that of empowerment and vitality, and he wanted to emphasise the organic nature of Wonder Woman’s home, the paradise island of Themyscira.

First up was Themyscira: My Salad Origin ($16.90), which comprises cabbage, purple cabbage, green papaya, beetroot, cherry tomato, baby red radish, sliced carrot, sesame seeds and sweet corn in a creamy sesame dressing. This was largely unremarkable, and not unlike a salad one could whip up at home. The beetroot, cut into star shapes, was the most unique element of the dish. Chef Woo explained that to remove the earthy, astringent taste of the vegetable, the beetroot was wrapped in wet dough and baked before being sliced into shapes.

Our second course was Paradise Island Mac and Cheese ($18.90), inspired by the scene in the trailer in which Wonder Woman dives off a cliff into the ocean. The baked pasta dish comprises Conchiglie Rigate (shell-shaped pasta), a five-cheese and mentaiko (smoked cod roe cream) sauce, with prawns, white button mushrooms, turkey bacon and garlic. While we counted only two prawns in the whole dish, it tasted pleasant enough. Macaroni and Cheese is a go-to comfort food for this reviewer, and he was satisfied.

Then came the Truth and Beauty mini burgers ($22). It’s not sure whether Truth was chicken and Beauty was beef, or the other way around. The beef burger had a filling of ribeye steak, shitake mushroom, purple Spanish onion and cabbage, while the chicken burger had a chicken patty stuffed with cheddar and smoked mozzarella cheese, an onion ring, pineapple salsa, peanut butter, cabbage and a sunny-side up quail egg. The yellow bun was coloured with turmeric, and the pink with beetroot juice. The chicken slider was similar to the Superman-themed burger from the Batman v Superman menu last year, which also used peanut butter. The chicken patty was standard, ho-hum stuff. The beef slider fared significantly better, with the ribeye steak slices being remarkably tender and tasty.

For dessert, we had the Shields of Truth pancakes ($15.90). Each pancake was emblazoned with the Wonder Woman ‘W’ insignia, and they were served with strawberries, blueberries, kiwi, strawberry ice cream and a whipped cream topping. The pancakes themselves were sufficiently moist and dense, but the ice cream seemed awfully cheap, as if it was from a supermarket home brand.

To complement the meal, we had the optimistically-named Wonder Woman’s Box Office Power drink ($10.90), which came in a glass styled to resemble the character’s armoured bustier. An ice-blended salted caramel popcorn-flavoured drink, this was a dessert in a cup – i.e., really sweet.

As a DC fan, this writer always enjoys visiting the café, but just as we’ve said in our previous reviews of their themed menus, the food is akin to what would find in a theme park – in terms of both quality and price. It was a surprise that no Greek-themed dishes were showcased, seeing as Wonder Woman draws heavy inspiration from Greek mythology, and that seemed like an obvious direction to go in.

Wonder Woman opens in cinemas on 1st June 2017.

Wonder Woman custom action figure is the writer’s own

The Jackie Chan Misadventures: Kung Fu Yoga Press Conference

For F*** Magazine

THE JACKIE CHAN MISADVENTURES
F*** meets Kung Fu Yoga stars Jackie Chan, Disha Patani, Amyra Dastur and Muqi Miya and director Stanley Tong in Singapore
By Jedd Jong

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Crashing supercars, almost drowning in Icelandic ice caverns and getting chased by stuntmen pretending to be hyenas is all in a day’s work for Jackie Chan and company. The 62-year-old actor was in town to promote his latest action comedy Kung Fu Yoga. Joining Jackie were leading ladies Disha Patani, Amyra Dastur and Muqi Miya, as well as director Stanley Tong. The group held a press conference at the Equarius Hotel on Friday afternoon, ahead of a meet-and-greet session at Plaza Singapura and the film’s gala premiere at VivoCity that night.

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Kung Fu Yoga also stars Aarif Rahman, Zhang “Lay” Yixing and Sonu Sood. In the film, Jackie plays archaeologist Jack Chen, who is joined by his associates on a globe-spanning odyssey in search of the fabled lost treasure of the Magadha Kingdom. Jack and his team are pursued by the descendant of an ancient militia leader, who claims the treasure rightfully belongs to him. This quest takes Jack and his allies from Xi’an in China to Tibet, to Dubai and to Rajasthan, India.

A prop from the film, a jewelled sceptre called “The Eye of Shiva”, was on display. The piece boasts a pink crystal with 28 facets and was created especially for the production by Swarovski.

2017 marks 25 years since the release of Police Story 3: Super Cop, which was the first of several collaborations between star Jackie and director Tong. These include Rumble in the Bronx, Jackie’s first foray into mainstream American cinema, and the fantasy adventure The Myth, in which Jackie also plays an archaeologist named Jack and which was also filmed partially in India. “I watched his movies growing up,” Tong stated.

“I think everybody watched my movies growing up,” Jackie remarked.

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“I never thought I would have to opportunity to help him direct a film,” Tong said. On the cross-cultural elements of Kung Fu Yoga, Tong explained that “Kung Fu represents the culture of China and Yoga represents the culture of India.” He added that both disciplines were not merely about a few moves or poses, but a complete philosophy, which he attempted to incorporate into the plot.

Host Danny Yeo asked Jackie about a medical emergency which Jackie experienced recently. Jackie expressed surprise that Yeo found out about this incident, since it had been kept under wraps. “It’s all Stanley’s fault,” Jackie said to laughter. He explained that after he felt some pain in his abdominal area, Stanley told him it was nothing to worry about, and they carried on filming. While shooting The Foreigner in London, Jackie was ordered to stop work by the on-set medic and was hospitalised. It was discovered that his abdominal skin and muscle had atrophied, and Jackie underwent a five-hour-long operation.

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“I tried to get back to work as soon as possible,” Jackie said. Shortly after the procedure, he flew off to Iceland to resume filming on Kung Fu Yoga, where he dived into the frigid ice cavern waters. “I could have paused production and waited a few months to recover, but I knew the whole cast and crew were already on location,” Jackie continued.

Tong tried to delay the shooting of the underwater scenes, but said “you can only tweak the schedule so much, so Jackie persevered.”

Jackie insisted on doing the scene without the help of a stunt double. “I’m still around, thank heavens,” he said to applause.

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The 24-year-old Patani was impressed with Jackie’s work ethic. “I think he’s a superhuman and I especially learned a lot from him when I was shooting,” she enthused. “It doesn’t matter how harsh the conditions are wherever we’re shooting, he’s always there before anyone else. He’s always, always up for it.”

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Patani had to film the underwater sequence alongside Jackie, who bemoaned how all the safety divers would rush to Patani’s aid, ignoring him. “Everyone went to save her, and nobody went to save me!” Jackie described the harrowing situation, being submerged in cold temperatures and unable to grip the scuba mouthpiece because the hose wasn’t long enough.

“He’s Jackie Chan, he’s super-strong, so nobody really thought about that, that he needs help,” laughed Patani.

“Jackie has filmed for hours with a shark, so I knew he could handle it,” Tong quipped, referring to Police Story 4: First Strike.

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Making Kung Fu Yoga was a novel experience for 23-year-old Dastur, who plays the sister of Patani’s character. “My first scene ever was when Stanley threw me into this huge sand pit,” she recalled. “We had Jackie’s stuntmen being hyenas and they chased after us. It was so funny, imagine guys crawling around the floor in these green little jumpsuits!”

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Tong was aware of needing to up to ante to cater to increasingly discerning audiences. “Every film that I’ve made with Jackie has something new in it,” he declared. “There must be an original element, while keeping the action and comedy that have become Jackie’s trademark. Now, the audience is more demanding. If the film has only one setting or a small number of action sequences, audiences will find it boring.”

The film’s central set piece is a wacky car chase through the streets of Dubai. The production had help from Dubai’s princes, who lent the crew their luxury supercars. The stunt drivers ended up crashing Ferraris, Lamborghinis and MacLarens. “I was wondering how we were going to repay the princes,” Jackie mused.

“They didn’t want us to repay them, all they wanted was to have a meal with Jackie and get his autograph,” Tong revealed. “We had crashed a yellow car, and the princes had another car of the same make, but only in blue. So, they repainted the blue car yellow overnight so we could replace the crashed car,” Tong said, praising the royal family of Dubai for being as gracious and accommodating to the film crew as they were.

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Due to a mix-up in the schedule, Muqi Miya’s flight was delayed, and she arrived at the press conference late. The model and yoga instructor has been called “the goddess of Yoga”, her steamy pictorials earning her legions of admirers online. “I’m happy to breathe the clean air here in Singapore,” she said, having just gotten off the plane from Beijing. After Yeo called her a “Yoga expert,” Muqi demurred, motioning to Jackie and saying “I have to tell everyone that the real expert is him.”

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Is there anything new under the sun for Jackie? “Over the years, I’ve done pretty much everything,” Jackie stated matter-of-factly. “Every year, I have to wrack my brain for how to provide a new experience for my fans.” Jackie described going from the historical epic Dragon Blade to the contemporary action-comedy Skiptrace, and from that to the WWII-era adventure Railroad Tigers and then to Kung Fu Yoga. Jackie promised that his next film, the thriller The Foreigner, will be a serious affair.

Jackie said that he hopes to emulate the long-lived careers of such Hollywood actors as Clint Eastwood, Robert De Niro and Dustin Hoffman. “As I’ve said before, I want to be viewed as an actor who can perform action. I am not an action star,” Jackie declared empathically. “I’m an actor who knows how to do action. The life expectancy of an ‘action star’ is very short.“

Kung Fu Yoga opens on 27 January 2017.

 

 

 

 

IGNITE THE TIKI TORCH: The stars and filmmakers of Moana light up the ArtScience Museum

For F*** Magazine

IGNITE THE TIKI TORCH
The stars and filmmakers of Moana light up the ArtScience Museum

Words and photos by Jedd Jong

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Disney brought a taste of the rich culture of the Polynesian islands to our own sunny isle, with a light-up at the ArtScience Museum at Marina Bay Sands on the night of November 9th to kick off the festive season. Disney’s animated musical adventure comedy Moana is inspired by Oceanic mythology and centres on the titular young voyager (voiced by Auli’I Cravalho), who teams up with the demigod Maui (voiced by Dwayne Johnson) on an epic ocean-spanning quest.

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Cravalho, producer Osnat Shure, lighting artist Roger Lee and visual development artist Griselda Sastrawinatra were at the ArtScience Museum to officiate the light-up, alongside host Carla Dunareanu. The L.A.-based Nonosina dance troupe performed a Polynesian dance set to Logo Te Pate, a song by Oceanic music group Te Vaka. Te Vaka’s frontman Opetaia Foa’i, alongside Mark Mancina and Broadway impresario Lin-Manuel Miranda, composed the music for Moana. The dance we saw was choreographed by Tiana Nonosina Liufau, who played the drums to accompany the performers.

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“we’re so excited about the holiday season and we always like to kick it off with a festive light-up,” said Marina Bay Sands’ president and CEO George Tanasijevich. “We’re very pleased to feature Moana and to partner with Disney for tonight’s event. Disney has been such a great collaborator with Marina Bay Sands over the years. This is the beginning of the holiday season, so we’re very happy that you could be here tonight.”

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“At Disney, our dream is to create happiness through magical moments for communities around the world,” proclaimed Robert Gilby, managing director of the Walt Disney Company Southeast Asia. “And today, for the Singapore community and for all visitors to Singapore, we’re delighted to celebrate this festive lighting with the star and creators of our latest fun animated feature film, Moana,” he continued. “We hope that the beautiful story and the amazing characters and this festive lighting inspire you to celebrate your own magical moments here at Marina Bay Sands.”

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Moana opens on November 23 2016.

WAVERIDERS: The star and filmmakers of Moana island-hop to Singapore

For F*** Magazine

WAVERIDERS
The star and filmmakers of Moana island-hop to Singapore

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This morning, F*** was at Marina Bay Sands Expo and Convention Centre in Singapore to meet the leading lady, producer and artists from Disney’s Moana. The film tells the story of its titular heroine’s epic voyage across the ocean. Accompanied by the demigod Maui, voiced by Dwayne Johnson, Moana embarks on a quest to restore life to her home of Motonui, threatened by the lava goddess Te Kā.

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In addition to Moana’s voice actress Auli’i Cravalho, producer Osnat Shurer, lighting artist Roger Lee and visual development artist Griselda Sastrawinata took the stage to talk to the press about the film.

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Before the press conference began, we were treated to a performance of the song How Far I’ll Go from the film. Janella Salvador from the Philippines, Maudy Ayunda from Indonesia, Ayda Jebat from Malaysia, Myra Maneepat Molloy from Thailand and Minh Nhu from Vietnam performed the film in their respective native languages. Molloy and Minh Nhu are voicing Moana in the Thai and Vietnamese dubs of the film respectively.

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Cravalho did seem like a Disney princess come to life, displaying both bubbly enthusiasm and measured poise throughout the press conference. “We’re practically all family from across the sea,” she said cheerily to the crowd.

Clements, Musker and Shurer auditioned hundreds of Polynesian women for the lead role, and Cravalho was the last one they saw. “I didn’t initially audition for Moana, because [at] first, I had seen so many wonderful auditions on YouTube, and my friends were trying out, and I thought ‘you know what, whoever is chosen is going to be so awesome’,” Cravalho admitted.

The character’s name means ‘ocean’, and Cravalho’s hobbies include paddle-boarding and sailing. “It’s meant to be, I now believe in fate,” Cravalho said. She added that she doesn’t do any land sports, because she’s “a klutz on land”.

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Cravalho took the responsibility of representing her Polynesian heritage seriously. “This movie is real,” she proclaimed. “Wayfinding and navigating by the stars, that’s something that my ancestors really did, so the fact that Disney has made a film that is inspired by my culture, gives me a great deal of pride.” Moana is an adventurer, descended from a long line of voyagers who settled down and stopped traversing the ocean a thousand years ago. “Another thing that I love about Moana is that I get to describe her as a heroine,” Cravalho enthused.

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Great pains were taken to ensure that the rich culture of Oceania was not shown in a superficial manner, with Clements and Musker leading multiple research expeditions to the Pacific Islands. Disney assembled a team of advisors who came to be known as the Oceanic Story Trust, comprising anthropologists, archaeologists, educators, linguists, master tattooists, dance choreographers, haka practitioners, navigators and experts on Polynesian culture.

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OLYMPUS DIGITAL CAMERACravalho’s choice of favourite Disney character made perfect sense – it was a heroine who, like Moana, embarked on a life-changing, self-sacrificial adventure: Mulan. “She’s so incredibly amazing and she broke that gender norm, she went out there and did her thang. I remember telling myself at a young age, ‘that’s what I want to do.’ I want to honour my family wherever I go,” Cravalho declared.

Shurer was quick to acknowledge the massive team who assembled the film, saying “Disney has hundreds and hundreds of artists in our studio from over 25 countries, and that adds to the richness and diversity of everything we do. When you see the film, you see everyone’s work, so
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Two of those artists, Lee and Sastrawinata, have become hometown heroes. Lee was born and raised in Singapore and moved to the United States four years ago to pursue a career in animation at Walt Disney Animation Studios as a lighting artist, lighting and compositing shots. Lee’s credits include such blockbusters as Frozen, Big Hero 6 and Zootopia. “This dream seemed so out of reach, Disney seemed so far away,” Lee reflected. “It definitely needs a lot of perseverance, I focused on what I wanted to do and kept tweaking my path”

OLYMPUS DIGITAL CAMERASastrawinata joined Disney Animation a year ago, and Moana is her first film at the studio. “I didn’t think that I would work on a movie with directors whose movies I watched as a kid, Aladdin and Little Mermaid, so it’s just
amazing to get to do that,” Sastrawinata said. She gravitated to the film’s lead character, recalling “I heard about Moana, a story with a heroine, and I was like ‘yes, put me in it!’”

“It’s going to make you laugh, it’s going to make you cry and it’s going to make you think,” Shurer promised. “Moana in part is about us stopping to listen to the voice inside ourselves. The world will always tell you who you’re meant to be, and it’s the voice inside us who tells us who we really are,” Shurer explained. “Any age, any gender, to stop to listen and to follow that call is relevant to every one of us.”

At the conclusion of the press conference, Cravalho, Shurer, Lee and Sastrawinata were presented with bento boxes designed by Shirley Wong. Made with local ingredients, the food was arranged to resemble characters from Moana. “This is the most beautiful food I’ve ever seen,” Cravalho exclaimed.

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Moana opens on 24 November 2016 in Singapore.

Cravalho, Shurer, Lee and Sastrawinata will attend a festive light-up ceremony at the Helix Bridge at Marina Bay Sands tomorrow night, 9th November 2016, at 8 pm.

 Words and pictures by Jedd Jong

Task Force Snax: Suicide Squad menu tasting at DC Comics Super Heroes Cafe

For F*** Magazine

TASK FORCE SNAX
F*** tucks into Suicide Squad culinary creations at the DC Comics Super Heroes Café
Words and photos by Jedd Jong

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In Suicide Squad, the highly-anticipated third entry in the DC Extended Universe, a team of volatile superheroes are doing what doesn’t come naturally to any of them: saving the day. Deadshot, Harley Quinn, Killer Croc, Enchantress, El Diablo, Slipknot and Killer Croc, wrangled by Rick Flag and his bodyguard Katana, comprise “Task Force X” – assembled by government official Amanda Waller, they are coerced into running errands for, ostensibly, the side of good.

Following the tie-in menu launched to commemorate the release of Batman v Superman: Dawn of Justice earlier this year, the DC Comics Super Heroes Café at Marina Bay Sands Singapore is serving up food items inspired by the Suicide Squad movie. F*** was at the restaurant yesterday afternoon, having worked up an appetite for antiheroes.

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First up was the Katana Cut Chicken Miso ($38.90, serves two). The dish of roasted spring chicken with white miso, sake, shaved roasted almonds, sesame dressing, seasoned fries and garden vegetables sounded tasty, but this certainly didn’t make the cut. The miso and sake barely registered, and the chicken lacked the picture-perfect charred edge finish we were expecting.  Your mileage may vary of course, but it didn’t seem like it would be filling enough for two diners to share as a main course. A dish themed after the peerless swordswoman Tatsu Yamashiro should’ve been sharp and crisp rather than bland and dull.

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The other main course available is Harley Quinn: Laugh This Off, Puddin’! ($28.90, serves one) The fun-loving, loopy psychiatrist-turned-supervillainess deserves a kooky dish, and this certainly is eclectic. We’ve got a grilled chicken patty, turkey bacon, a fried egg, guacamole, tomato salsa, mesclun greens and vine tomatoes. Sounds relatively normal, doesn’t it? Here’s the twist: ho-hum burger buns are replaced with cinnamon sugar doughnuts, with crunchy peanut butter as the unexpected topping. The collision of sweet and savoury wasn’t nearly as jarring as we expected, though the surprising components weren’t quite enough to elevate the still pretty pedestrian burger. As Harley herself would put it, “close but no cigar, B-man!”

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The Joker’s Rainbow Freak Shake ($16.90), a combination drink/dessert concoction, is eye-catching. While the Clown Prince of Crime is known for his green hair and bleached skin, we get more than a few extra colours here. The vanilla-based shake is topped with rainbow sprinkles, white chocolate sauce, gummy bears and a chocolate wafer stick. All those wild colours are merely decorative however, and it tastes like your average vanilla ice cream milkshake. It’s visually exciting but boring on the palette – let’s hope Jared Leto’s portrayal of the Joker doesn’t mirror this.

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The caffeinated beverage Sweet-Side Squad ($14.90) emerged as the winner of the day by a country mile. Local flavours influence the drink, which comprises layers of Gula Melaka (coconut palm molasses), milk, black tea and a shot of espresso. It’s reminiscent of Yuanyang, known in Malaysia as Kopi Cham, a mixture of tea and coffee. There’s a great comfort factor in Gula Melaka which this reviewer finds irresistible, especially when drizzled over sago pudding with coconut milk. Mmm. Lest we digress, the Sweet-Side Squad does taste predominantly of coffee, with the black tea registering as a pleasant aftertaste.

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Looking at the colourful cast of characters in the film, we couldn’t help but think the DC Comics Super Heroes Café had missed a few opportunities. How about El Diablo Hot Wings, Captain Boomeringue Lemon Tart, Amanda Waller Waffle Stack or Killer Croc Bayou Gumbo?

DC Comics Super Heroes Café has an ongoing promotion from now till the 29th July: spend a minimum of $200 in a single day and stand a chance to win one of ten pairs of tickets to the film’s Singapore premiere.

Suicide Squad opens in Singapore on 4th August 2016.

Custom action figures are the writer’s own.

 

Painting the Town Blue – Captain America: Civil War Blue Carpet

For F*** Magazine

PAINTING THE TOWN BLUE

Team Cap takes Marina Bay Sands by storm
By Jedd Jong

To call it a ‘crowd’ would be a gross understatement. On the evening of Thursday 22ndApril, throngs of fans showed up to try to catch a glimpse or, better yet, a coveted selfie with or autograph from the stars of Captain America: Civil War. The Shoppes at Marina Bay Sands (MBS) were overrun with eager folks armed with homemade signs and cheering at the top of their lungs, some of whom had arrived as early as 10 hours before the scheduled start of the event.
That glorious Scott Pilgrim reference though.
In what must have been a heart-breaking move for any DC fan, a black curtain was set up in front of the DC Super Heroes café that overlooked the Blue Carpet area, out of deference to Marvel. It is perhaps an apt metaphor for how Marvel is pummelling the Distinguished Competition at the Multiplex.
A highlight of Team Cap’s visit to Singapore, stars Chris Evans (Steve Rogers/Captain America), Anthony Mackie (Sam Wilson/Falcon) and Sebastian Stan (Bucky Barnes/Winter Soldier) with co-director Joe Russo walked the Blue Carpet. Deejay Glenn Ong and model/actress Stephanie Carrington were the evening’s hosts, with actor Paul Foster providing back-up on the Blue Carpet. The event was kicked off with the finals of a cosplay competition, with an enthusiastic Indonesian gentleman sporting accurate Tony Stark-esque facial hair drawn on and eyewear beneath his Iron Man helmet taking the top prize.

Stan looked more comfortable than he did at the press conference that morning, rocking a striking turquoise suit, with Mackie going for a more classic option. Evans looked like he rolled out of bed, wearing the same shirt and trousers he wore to the press conference – but one could stand to be a little sloppy if one possessed even a fraction of Evans’ pulchritude.
The sale of packages priced at $688 and $1288, including access to the Blue Carpet, had become the talk of the town. It was later clarified that the majority of Blue Carpet passes were being distributed to invited children and teenagers as part of Disney and MBS’ corporate social responsibility initiatives; these children would be invited on stage later. Other recipients included contest winners and VIPs. A limited number of Blue Carpet passes were then bundled together with products like collectible t-shirts, figurines and a one-night stay at the MBS hotel.
A considerable number of lucky fans who had arrived early enough to stake out a good spot lining the Blue Carpet were able to get the attention of the stars, who made every effort to sign as many autographs and take as many selfies as time would allow. Mackie even leapt over the barricades to reach fans standing several rows back, with Russo following suit. Even though the measures to prevent the average fan from attending weren’t as extreme as previously thought, the layout of the Blue Carpet did make it difficult for those who weren’t journalists or pass-holders to get very close to the stars.

The under-privileged children who were beneficiaries of MBS’ social outreach programs were welcomed onstage, and some got to ask the stars and director their questions. It’s difficult not to be a cynic in the face of such a blithely manipulative display on the part of a big corporation, but the children did seem to be genuinely enjoying themselves and a boy was overwhelmed with joy when Stan carried him up and swung him around.
Team Cap was presented with artwork by artists Elvin Ching, Guo Junwei, Noval N. Hernawen and Soefara Jafney which incorporated characters from the Marvel Cinematic Universe into prominent Singapore landmarks.
The Team Cap festivities culminate on the night of 22nd April, which will see MBS lit up in red, white and blue, with an accompanying fireworks display as an act of one-upmanship aimed at Team Iron Man, who set a tough act to follow by lighting up the Eiffel Tower in red and gold with glowing blue ‘eye’s during their Paris tour.

Photos by Tedd Jong