Bounty Hunters (赏金猎人)

For F*** Magazine

BOUNTY HUNTERS (赏金猎人)

Director : Shin Terra
Cast : Lee Min-ho, Wallace Chung, Tiffany Tang, Jeremy Jones Xu, Karena Ng, Louis Fan
Genre : Action/Comedy
Run Time : 1 hr 46 mins
Opens : 14 July 2016
Rating : PG (Some Violence)

Bounty Hunters poster“Bounty hunters. We don’t need their scum,” so sneered Admiral Piett in Empire Strikes Back. In this Hong Kong/China/Korean co-production, the bounty hunters in question are a great deal more attractive than Bossk, 4-LOM, Zuckuss, Dengar, IG-88 and Boba Fett. Lee San (Lee) and Yo (Chung) are former Interpol agents now working as bodyguards. When they accept a job to protect a reporter, they are framed for a hotel bombing in Incheon, the third following attacks in Singapore and Tokyo. Lee San and Yo throw in with a team of bounty hunters led by heiress Cat (Tang), also comprising tech expert Swan (Ng) and jack-of-all-trades manservant Bobo (Fan). The team has also been implicated in the attacks. In a mission that spans across Hong Kong, Bangkok and Jeju Island, our motley crew must track down Tommy (Xu), the actual culprit, and put an end to the serial bombings.

Bounty Hunters Lee Min-ho, Wallace Ghung, Tiffany Tang, Karena Ng, Louis Fan

Bounty Hunters definitely looked like it could be a lark: a gaggle of good-looking guys and gals strutting their stuff in-between shootouts, car chases and explosions – what could go wrong? Alas, Bounty Hunters turns out to be quite the bust. Shin Terra, who has also directed action-comedies Runaway Cop and My Girlfriend is an Agent, displays equal ineptitude in serving up laughs and thrills. Bounty Hunters is plagued by an awkward, arrhythmic goofiness: much of the humour is of the cringe-inducing slapstick variety, and because large stretches are so silly, any sense of peril is unable to take hold, nullifying whatever high-stakes international intrigue there’s supposed to be. The musical score is straining for spy movie chic but comes off as self-parody and the globe-trotting seems modest rather than glamourous.

Bounty Hunters Lee Min-ho and Wallace Chung

Lee San and Yo spend a large amount of their screen time bickering with each other, which is tiresome instead of amusing. There’s no denying that Lee Min-ho packs a potent amount of boyish charm and he’s certainly a watchable performer, but we’re not entirely convinced of his action hero chops. It could just be a misguided stylistic choice, but the excessive shaky-cam and whiplash editing during the fight scenes seems suspiciously like it’s intended to disguise a stunt double. Chung gamely goes for the pratfalls, but he and Lee do not make a particularly memorable buddy duo.

Bounty Hunters Tiffany Tang, Lee Min-ho and Karena Ng

The circumstances under which Lee San and Yo join up with Cat and her gang seem awfully convenient, and although there’s the expected animosity at the outset, they’re accepted into the fold with relative ease. Each member of the crew is a one-dimensional stereotype: there’s the wealthy, mysterious leader, the burly, dim-witted muscle and the hip millennial hacker who wears a backwards-facing baseball cap in case you didn’t know she’s cool. Sporting a shock of red hair and a preppy outfit, Xu looks like he’s stepped out of an anime. He plays a villain of the most insufferable variety: the cut-rate Joker, prancing about, cackling, then casting a faux-creepy dead stare. It’s campy, obnoxious and not threatening in the slightest.

Bounty Hunters Jeremy Jones Xu

There are glimmers of entertaining chemistry from the crew to be glimpsed, but when everyone’s playing a stock character and there’s no urgency or forward momentum to be found, it’s difficult to get invested in the proceedings. This reviewer tuned out during the protracted climax set in a Jeju Island hotel suite. At one point, Lee fends off hordes of business suit-clad thugs. Of course, they attack one at a time, with the others dancing about in the background, a textbook example of the “conservation of Ninjitsu” trope. Apart from the regrettable design choice of using blue cartoon lightning to represent taser shocks, the production values aren’t bad and a skydiving sequence is surprisingly believable. However, sporadic competence just won’t cut it. Bereft of twists and turns to keep the audience on their toes, a movie that should be light on its feet instead turns out to be quite the drag.

Lee Min-ho and Louis Fan fighting thugs

Summary: Sure, it’s a pretty-looking cast, but audiences in search of deft comic timing and edge-of-your seat thrills will have to take the Hunt elsewhere.

RATING: 2 out of 5 Stars

Jedd Jong

Ip Man 3 (叶问 3)

For F*** Magazine

IP MAN 3  (叶问 3)

Director : Wilson Yip
Cast : Donnie Yen, Zhang Jin, Lynn Hung, Patrick Tam, Mike Tyson, Karena Ng
Genre : Martial-Arts/Drama
Run Time : 1 hr 44 mins
Opens : 24 December 2015
Rating : PG13 (Some Violence)
After a five year leave of absence from the role, Donnie Yen is back as legendary martial artist Ip Man. It is 1950 and things are going well for Ip Man, who is respected throughout the land, continuing to run his Wing Chunacademy. Ip Chun, the son of Ip Man and his wife Cheung Wing-sing (Hung), gets into a schoolyard fight with Cheung Fong. It turns out that Cheung Fong is the son of rickshaw puller Cheung Tin-chi (Zhang), also a Wing Chun practitioner who is making money on the side in illegal fighting matches. Said matches are organised by American property developer Frank (Tyson), a crooked businessman who has the British Hong Kong police captain in his pocket. Local gangster Ma King-sang, working for Frank, terrorises the town, threatening the school that Ip Chun and Cheung Fong attend. As Ip Man’s disciples protect the innocent town folk, he must take on Frank and Cheung Tin-chi to prove his supremacy and safeguard his loved ones.

            Yen was initially reluctant to portray Ip Man a third time, saying of the second film “I believe it’s best to end something when it’s at perfection, and leave behind a good memory.” “Perfection” is a very strong word, Donnie. The sheer number of Ip Man-centric projects that cropped up after the success of the first film were also a factor in turning Yen off returning. Somehow, Ip Man 3 happened anyway, with Yen saying this will close out the series for good. This is a mess, with the feeling that a great deal was changed from what director Wilson Yip intended to shoot. The screenplay by Edmond Wong, Lai-yin Leung and Chan Tai-Li comes across as incredibly choppy and lacking in focus. Sure, the action choreography by Yen, Yuen Shun-Yee and Yuen Woo-Ping is expectedly splendid, but it ultimately needs to be in service of a solid story, which just isn’t the case here.

The initial announcements that Mike Tyson had signed on to play the villain and that Bruce Lee would be resurrected via digital trickery both reeked of unabashed gimmickry. Thankfully, cooler heads prevailed and Lee is played instead by Danny Chan, who does a fun, if over-the-top impression of the pioneering action star. Chan’s movements are appropriately swift, though his attempt at Lee’s signature cocky grin borders on caricature. Chan previously played Lee in the 2008 biographical TV series The Legend of Bruce Lee. Chan bears an uncanny resemblance to Lee and this reviewer is relieved that this is what we got instead of a disconcerting floating CGI head. While it was originally suggested that director Yip’s objective was for Ip Man 3 to follow the master-disciple relationship between Ip Man and Lee, that’s more a B-plot than anything else.

Perhaps even more surprisingly, Tyson is in very little of the film and his is a C-plot. Those looking forward to a showdown along the lines of Rocky vs. Ivan Drago in Rocky IV will come away sorely disappointed. Ip Man doesn’t even meet Frank until more than an hour into the film. Tyson is no actor and looks extremely out of place in Ip Man 3, unable to beat the snatches of Cantonese dialogue he is given into submission. Of course, it wouldn’t be an Ip Man film without a serving of anti-Western sentiment, with a supercilious British police captain also showing up. At one point, Kent Cheng’s Sgt. Po says the line “the two foreign devils are in cahoots!” with nary a sense of irony.

Yen has considerable experience playing Ip Man and his is often considered the definitive portrayal of the master. Ip Man is a combination warrior-sage-saint with no shortcomings to speak of and therefore not terribly interesting, because the filmmakers are too preoccupied with respecting his status to take any risks with the characterisation. Any and all scenes involving Ip Man’s wife Cheung Wing-sing and his son Ip Chun are treacly and cloying. Ip Man also had two sons in real life, but only one shows up. The real-life Ip Chun, now 91, served as the martial arts consultant on this film, as with the two earlier instalments. It is a massive missed opportunity not to have the actual Ip Chun interact with the child version of him in the film in a cameo. Like Yen, Zhang Jin actually is an accomplished martial artist and as such genre aficionados should enjoy seeing the two duke it out. There is a degree of complexity to Zhang’s character, who is an antagonist but not an out-and-out villain, which is appreciated in a film lacking in subtlety.



Audiences have waited a while for the conclusion to Yen’s Ip Mantrilogy and this is far from a truly satisfying final chapter. The stunt casting of Tyson isn’t exploited to its full potential and Ip Man taking Bruce Lee under his wing (chun), something which these films have been building up to, is treated like a side-plot. There are superbly-staged kungfu skirmishes aplenty, but it is difficult to recommend the film solely on that basis. Should’ve left it at two, Donnie.

Summary: Dynamic fights cannot rescue this scattershot threequel which closes out the Ip Man trilogy on an underwhelming note.

RATING: 2 out of 5 Stars

Jedd Jong