Love, Simon review

For inSing

LOVE, SIMON

Director : Greg Berlanti
Cast : Nick Robinson, Katherine Langford, Alexandra Shipp, Jorge Lendeborg, Miles Heizer, Keiynan Lonsdale, Logan Miller, Jennifer Garner, Josh Duhamel, Tony Hale
Genre : Comedy, Drama
Run Time : 1h 50m
Opens : 03 May 2018
Rating : R21 (Homosexual Themes)

On the surface, Love, Simon looks like your typical high school romance, a light-hearted throwback to John Hughes movies and other defining coming-of-age films from the 80s. However, the protagonist Simon Spiers (Nick Robinson) has a secret: he’s gay.

Simon is hesitant to come out, even though he has a supporting family comprising dad Jack (Josh Duhamel), mum Emily (Jennifer Garner) and sister Nora (Talitha Bateman). Simon also has close friends in school, including Leah (Katherine Langford), Nick (Jorge Ledenborg Jr.) and new student Abby (Alexandra Shipp).

Simon sees an anonymous post from a schoolmate online, in which the writer, whom he only knows as “Blue”, says that he’s gay but hasn’t come out yet. Simon begins a correspondence with Blue and finds himself falling for the mystery schoolmate. Simon finds himself in jeopardy when a would-be blackmailer discovers the emails and threatens to announce Simon’s secret to the whole school. Simon’s friendships are thrown into disarray as Simon figures out who he truly is, while trying to ascertain the identity of his mystery suitor.

Love, Simon is based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli. The film is directed by Greg Berlanti, the writer-producer behind Dawson’s Creek, Riverdale and the DCTV series including Arrow and The Flash.

This is a sweet, warm-hearted film that’s honest and often funny. Like many high school movies, it comes across as heightened and there are moments when Love, Simon is too convoluted for its own good. It’s not particularly in-depth in its exploration of coming out as gay and the mental toll that keeping a secret like that can take on a teenager, but it’s the closest thing to a mainstream gay rom-com we’ve seen.

Here in Singapore, films are almost automatically slapped with an R21 rating if LGBT characters and issues figure heavily into the plot. In the U.S., Love, Simon is rated PG-13. There still are large sections of moviegoers here who might be apprehensive about watching a film with a gay main character. Love, Simon seems almost as if it was made with those audiences in mind. It’s gentle and accessible, and the relationships are easy to relate to if a little over-the-top.

Nick Robinson feels like the right choice to play Simon. Robinson is a little sullen and isn’t really bursting with charm, but that fits a character who’s unsure of himself and is trying to lay low. The dynamics within the friend group are fun, and these are characters who are a delight to spend time with.

Katherine Langford of 13 Reasons Why fame is sweet and amiable as Leah, while Alexandra Shipp is bubbly and radiant as Abby. Logan Miller’s Martin Addison, the nominal antagonist of the movie, is more layered a character than he first appears. Sure, he’s annoying, but there are elements of him that are relatable too.

Clark Moore is a scene-stealer as Ethan, the only openly gay student at the school. Simon feels a little jealous at how comfortable Clark is in his own skin, and it seems a bit of a shame that the two characters do not interact more.

Josh Duhamel and Jennifer Garner play the stock parent characters who thread the line between embarrassing and cool. Gay characters in films are often portrayed as coming from fractured families or having endured abuse, so it is nice to see Simon’s family being so loving towards him.

Any high school movie must have authority figures, and Tony Hale displays wonderful comic timing as the awkward vice-principal Mr. Worth, who tries desperately to relate to his students but it hopeless at it. Natasha Rothwell’s Ms. Albright is this reviewer’s favourite character – she’s the exasperated, sarcastic drama teacher trying to wrangle less-than-talented students who are performing a production of the musical Cabaret.

The film emphasises how there is nothing wrong with Simon at all, and hopefully the film’s non-threatening presentation will help audiences who might be uncomfortable with LGBT subject matter gradually learn to see things from other points of view.

There have been many gay-themed coming-of-age films, including Mysterious Skin, Moonlight and Call Me by Your Name. However, these are often arthouse movies that might alienate casual viewers and tend to be deliberately uncomfortable. Love, Simon’s winning mass appeal makes it an important film, even if it abides by many teen romance tropes.

There’s an earnestness and likeability that make Love, Simon more than your average high school movie. It’s a movie about love and acceptance that is entertaining rather than overtly preachy. Regardless of sexual orientation, most audiences will find at least some elements of the film easily relatable.

RATING: 3.5 out of 5 Stars

Jedd Jong

Jurassic World

For F*** Magazine

JURASSIC WORLD

Director : Colin Trevorrow
Cast : Chris Pratt, Bryce Dallas Howard, Vincent D’onofrio, Ty Simpkins, Nick Robinson, Omar Sy, B.D. Wong, Irrfan Khan, Jake Johnson
Genre : Adventure/Thriller
Run Time : 125 mins
Opens : 11 June 2015
Rating : PG13 (Some Violence)
“The park is open.” With those four little words, the 14-year-long wait for a new Jurassic Park film has finally come to an end. 22 years after the events of the first film, Isla Nublar is now home to a fully functioning dinosaur theme park called “Jurassic World”, welcoming thousands of visitors each day. Billionaire Simon Masrani (Khan) has been entrusted with overseeing the park after the passing of founder John Hammond. As visitors hunger for more excitement, the park’s geneticists, led by Dr. Henry Wu (Wong), have spliced together a new hybrid dinosaur, the vicious Indominus rex. In the meantime, the park’s overworked Operations Manager Claire Dearing (Howard) is expecting her nephews Zach (Robinson) and Gray (Simpkins) who are spending the weekend at the Jurassic World resort. When the I. rexescapes and threatens the safety of the visitors, it is up to Velociraptor trainer Owen Grady (Pratt) and the Jurassic World security team to contain the savage behemoth.

            A fourth Jurassic Park film spent over a decade clawing its way out of development hell following 2001’s Jurassic Park 3. Director Colin Trevorrow, known for the indie comedy-drama Safety Not Guaranteed, was given the responsibility of breathing new life into the franchise, not unlike how InGen’s scientists bring dinosaurs back from extinction. The expectations were massive and Trevorrow’s lack of experience with big blockbusters seemed to be against him, but he has come through, not unlike the Russo brothers with Captain America: The Winter Soldier. The screenplay by Rick Jaffa, Amanda Silver, Derek Connolly and Trevorrow, contains a healthy amount of self-awareness. There are jibes at corporate sponsorship and an explanation as to the focus group origins of the name of the Indominus rex. Visitors to Jurassic World have grown difficult to impress, demanding bigger, more exciting genetically-engineered attractions, not unlike moviegoers and their ever-increasing appetite for effects-laden tentpole extravaganzas. The main difference is it’s unlikely for Avengers 8 to break out of the screen and eat the audience alive.

            A fully-functioning dinosaur theme park seems like the natural place for a new story to unfold and, for a series ostensibly about a theme park, is long overdue. A tourist attraction at full capacity means more potential for things to go horribly, entertainingly awry. There is a lot of effort put into designing the park and the filmmakers have achieved a sense of verisimilitude with the chain restaurants, open-air arenas, monorail systems and bored employees seen in real-life theme parks. While pushing the franchise forward, there is no shortage of very respectful nods to the past and aficionados of the first Jurassic Parkmovie will find many rewarding Easter Eggs. A sequence set in the derelict visitor’s centre from the first film borders on the indulgent but this reviewer was too busy squealing with fan glee to really be bothered.

            A crucial element of what made the first film so enjoyable was the suspense. The classic T. rex paddock escape and the “Raptorsin the kitchen” scene were masterfully staged and dripping with tension. There are several great scenes in this movie that go for the scares and that do have that adrenaline-pumping thrill ride quality to them. One does get a kick out of seeing the Indominus rex make quick work of heavily-armed, highly trained security contractors and a scene in which a swarm of Pterosaurs escapes their aviary to pluck hapless visitors from the park’s grounds is a wonderful “all hell breaks loose” scene of full-on panic.

The Indominus rex is an appropriately formidable creature, but sometimes lacks the tactility of the T. rex in the original. There’s also that classic movie monster pitfall, where the big bad beast is so impervious to anything that it can get a little tedious trying to defeat it. Many were worried that the element of trained Velociraptors would detract from the ferocity of these iconic dinosaurs, but rest assured that they’re still unpredictable and still scary. After all, people train Rottweilers, lions and bears, with sometimes-deadly consequences. The film does slightly disappoint with some of the visual effects work – for the most part, the dinosaurs are adequately convincing, but the scene in which a sight-seeing “gyrosphere” travels amongst herds of herbivorous dinosaurs feels particularly artificial. Animatronic effects are still employed, but this one does lean far heavier on CGI than the earlier movies.
    
        The characters in this film are archetypes and are all relatively simple, but then again, so were the characters in the first movie and in this case, it’s done pretty well. Chris Pratt further cements his A-list action star status as the rugged ex-Navy man Owen Grady, ably carrying the film as a traditional hero. In the scenes in which Owen is interacting with the four Velociraptorsunder his charge, Pratt displays a knack for acting against nothing, perhaps a skill he honed working with Rocket and Groot in Guardians of the Galaxy. Bryce Dallas Howard plays more of a caricature, the tightly wound career woman just seconds from snapping under pressure, but it’s great that there’s a woman in charge of running things at the park this time around and we are profoundly impressed by how well she can run in heels.

            Vincent D’onofrio’s hard-nosed Vic Hoskins, the head of security operations for InGen, is also one-dimensional, dead set on using Velociraptors in military applications. This may be an in-joke referring to an early draft of the film, which had gun-toting human-dinosaur hybrid mercenaries. Yes, we’re glad that didn’t happen too. Irrfan Khan chews some of the lush jungle scenery as eccentric Richard Branson-wannabe Simon Masrani. Ty Simpkins is the stock “kid in peril” and Nick Robinson is his aloof older brother – a film with as high an “embracing one’s inner child” quotient as this one has got to have kid characters in it, and they do far less shrieking than Lex and Tim did in the original. Jake Johnson’s comic relief techie Lowery gets some excellent lines and is, thankfully, not annoying. It’s also really nice to see B.D. Wong again – his Dr. Henry Wu is the only returning character from the first film.

            Jurassic World hits all the notes expected of a Jurassic Park film without merely feeling like it’s going through the motions. It’s clear that there’s earnestness and passion behind this and that Trevorrow is a fan who wants to do right by other fans. There’s definitely a tip of the hat to Steven Spielberg and the contemporary sci-fi masterpiece that was 1993’s Jurassic Park – at the same time, there isn’t a slavishness to what has come before. If there’s anything today that could come close to inspiring the wonderment and terror that Jurassic Park did in the kids who first watched it in 1993, Jurassic Worldwould be it.

Summary:Well worth the 14 year wait. A new world beckons; come on in!
RATING: 4out of 5 Stars

Jedd Jong