Skyscraper movie review

SKYSCRAPER

Director : Rawson Marshall Thurber
Cast : Dwayne Johnson, Neve Campbell, Chin Han, Roland Møller, McKenna Roberts, Noah Cottrell, Noah Taylor, Byron Mann, Pablo Schreiber, Hannah Quinlivan, Adrian Holmes
Genre : Action/Thriller
Run Time : 103 mins
Opens : 12 July 2018
Rating : PG-13

The Rock gets acquainted with glass and steel in this action thriller set in – you guessed it – a skyscraper.

Dwayne Johnson plays Will Sawyer, a former FBI Hostage Rescue Team leader who lost his leg during a mission gone wrong, and who now works as a building security assessor. Will’s family, including his wife Sarah (Neve Campbell) and twins Georgia (McKenna Roberts) and Henry (Noah Cottrell), are flown out to Hong Kong for his new assignment. The upper floors of the tallest building in the world, the Pearl, are about to open for business, pending Will’s assessment. The Pearl stands almost 1.07 km tall, dwarfing Dubai’s Burj Khalifa. Will and his family are the guests of the Pearl’s billionaire owner, Zhao Long Ji (Chin Han), and they are the building’s first residents.

Naturally, things don’t go according to plan. Will finds himself on the run from the authorities as the building is broken into and set on fire. A team of dangerous mercenaries led by Kores Botha (Roland Møller) has infiltrated the Pearl and disabled its security and fire safety systems. Sarah, Georgia and Henry are trapped in the building, and Will must get to them before it’s too late. Botha will stop at nothing at nothing to get what he wants from Zhao, and a man who wants to save his family it’s all that’s standing in his way.

This summer movie season, Skyscraper is the only major tentpole studio release that is not a sequel. That said, it is the furthest thing from original possible – not to belabour the point, but this movie might as well be called ‘I Can’t Believe It’s Not Die Hard’. There already exists a Die Hard knockoff named Skyscraper, starring the late Anna-Nicole Smith.

Skyscraper feels out of place amidst the giant franchise entries that have dominated and will continue to dominate the box office this summer, but that is key to its charm. It feels like a movie straight out of the 90s in a very welcome way. That’s due in part to the well-worn premise, but also to its star being the closest thing we have to the larger-than-life action heroes of the 80s and 90s.

This reviewer did not enjoy director Rawson Marshall Thurber’s previous Johnson-starring film, the buddy comedy Central Intelligence. As such, it’s surprising just how well Skyscraper is directed. The script, also written by Thurber, seems to have been reconstituted from a “just add water” action movie premix. However, the film moves with great finesse and Thurber leads audiences from one edge-of-your-seat action set-piece straight on to the next, generating breathless thrills despite the overwhelming silliness of the whole affair. Veteran production designer Jim Bissell gets to show off with the gleaming futurism of the Pearl – there’s even a high tech maze of mirrors of sorts.

What’s left to say about Johnson’s abilities as a leading man that hasn’t already been covered in countless other reviews? He’s not quite an everyman the way Bruce Willis’s John McClane started out, but he’s still got that disarming charm – Will quips about the magical properties of duct tape while stuck in the middle of a crisis. Will performs spectacular feats of implausibility, one after the other. The leap from a crane to the building has already been lampooned ever since it was made a central feature of the poster and has become a meme unto itself. Part of the joy of Skyscraper is accepting the ludicrousness and focusing on Johnson at the centre of said ludicrousness.

The script struggles to make Campbell’s Sarah more than the ‘designated wife’ so often seen in these movies, and mostly succeeds. Sarah is a Navy combat medic and can hold her own in some harrowing situations. There is a nigh-excessive degree of imperilling children in the film, but hey, these kids have the Rock as their dad. That’s a guarantee it’s going to work out all right.

Chin Han’s Zhao is perhaps a touch egotistical – you must be to build the tallest building in the world – and just might be hiding something. It’s the standard ‘rich guy you’re meant to suspect’ archetype and he does seem to enjoy strutting across the well-appointed penthouse set.

This movie’s villains were shipped in straight from Movie Bad Guys “R” Us. There are Euro-mercenaries sporting a variety of accents, led by Møller’s Kores Botha (what a great villain name). Then there are a bunch of local hires too, since this takes place in Hong Kong, including Hannah Quinlivan as a lethal leather-clad henchwoman. It’s all, to use that word again, quite ridiculous – but it’s never not entertaining.

Skyscraper genuinely reminds this reviewer of the action movies he enjoyed growing up. Sure, it’s stupid, but it’s hard to go too wrong with Johnson leading the charge. Surprisingly, it leans into its genre-ness more than Rampage, also starring Johnson, did earlier this year. As a Die Hard-style movie that could’ve easily gone straight-to-DVD but instead has a $125 million budget and stars the Rock, it works.

RATING: 3.5 out of 5 Stars

Jedd Jong

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Central Intelligence

For F*** Magazine

CENTRAL INTELLIGENCE

Director : Rawson Marshall Thurber
Cast : Dwayne Johnson, Kevin Hart, Amy Ryan, Aaron Paul, Danielle Nicolet, Thomas Kretschmann
Genre : Action/Comedy
Run Time : 1 hr 54 mins
Opens : 16 June 2016
Rating : PG13 (Some Sexual References and Coarse Language)

Over the past few years, Kevin Hart has become the universal adapter plug of the buddy comedy subgenre, having been paired with the likes of Will Ferrell, Josh Gad and Ice Cube amongst others. This time, Hart is teamed with Dwayne “The Rock” Johnson. But is just their disparity in physical stature enough to elicit the laughs?
Hart plays Calvin “Golden Jet” Joyner, who in high school, was a popular and highly successful student. Robbie Weirdicht (Johnson) was an overweight social outcast who was relentlessly bullied, and Calvin was the only one who would show him any kindness. 20 years later, Robbie has undergone a complete physical transformation and reinvented himself as “Bob Stone”. Calvin is married to his high school sweetheart Maggie (Nicolet), but is unfulfilled in his accounting career. Robbie and Calvin reunite, but Calvin is informed by CIA agent Pamela Harris (Ryan) that Robbie is in fact a dangerous rogue agency operative wanted for the murder of his former partner. Robbie tries to convince Calvin of his innocence as the two go on the run, trying to stop classified intel from falling into the hands of a mysterious underworld player known as “the Black Badger”.
The thinking behind Central Intelligence seems to have been “just let the two leads loose, that should be plenty to carry a movie.” Much of the would-be comedy is painfully unfunny, and the action is generic and unimpressive. This is far from the first comedy in which a regular Joe is flung into the mix of high-stakes international intrigue, and the plot is painfully perfunctory and the final reveal is a predictable one. There’s an anti-bullying message here, that if you’re picked on by the jocks in high school, all you need to do is transform yourself into Dwayne “The Rock” Johnson to get back at them. That should be pretty easy for anyone to do. The prologue features Johnson’s face digitally pasted onto Sione Kelepi who portrays the young Robbie; this effect is nestled deep in the uncanny valley and is terrifying rather than funny.
To the movie’s credit, it doesn’t go down the “one’s silly and the other’s stoic” route typical of buddy cop flicks. While Hart does eventually go into shrill, flailing mode, the character is likeable because of the kindness he shows towards the underdog. Johnson does have fun with the Robbie character, who may be all 6’ 5” of hulking muscle, but is the same awkward, socially mal-adjusted kid deep down. The thing is, Johnson is too slick and polished to come across as convincingly dorky. Nicolet’s Maggie is just “the wife” – the plot seems to hint at how marrying one’s high school sweetheart may not be all it’s cracked up to be, but doesn’t really go anywhere. Ryan is certainly far above the material, and phones it in as the comically serious dogged agent hunting down the suspect. Bateman is pretty much wasted as a stock slimy, snivelling banker type, and Paul’s appearance amounts to little more than an extended cameo. Look out for a prominent comedienne in the film’s climax.
Central Intelligence has the same problem that most Kevin Hart vehicles have: the producers bank too much on the comedian’s appeal to audiences and everything around him seems to be on autopilot. It’s a wasted opportunity, especially since Hart is paired with a bona fide action hero like Johnson. Instead of a production line comedy with bits of action sprinkled about half-heartedly, it would have been fun to see the duo tear into the conventions of buddy cop and spy movies in a full-tilt action extravaganza fuelled by belly laughs. The film trucks out the hoary dictum of “being yourself” – we’ll bet it’s easy to “be yourself” when you’re Dwayne Johnson. The scenes in which Robbie is wracked with anxiety brought about by the trauma he endured in school did resonate a little with this reviewer, but it never seems sincere enough to be a truly effective message. Sure, it’s sporadically amusing just by dint of putting Hart and Johnson together, but it’s clear that Central Intelligence isn’t aiming for any particular heights and is merely coasting along.
Summary: Sure, the leading men have chemistry, but unremarkable action sequences and jokes that are more cringe-inducing than genuinely funny ensure this won’t be front and centre in most moviegoers’ memories after they leave the theatre.
RATING: 2out of 5 Stars
Jedd Jong