Bumblebee review

BUMBLEBEE

Director : Travis Knight
Cast : Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, Pamela Adlon, Stephen Schneider, Peter Cullen, Angela Bassett, Justin Theroux
Genre : Action/Adventure
Run Time : 113 mins
Opens : 20 December 2018
Rating : PG13

Bumblebee-poster          The last Transformers movie gave us King Arthur, Transformers fighting Nazis, a secret order entrusted with guarding the Transformers’ history on earth, and Sir Anthony Hopkins. In addition to the usual hyperactive clanging action sequences, there was so much plot it was wont to make one’s head spin. This prequel/spinoff dials things back a notch, leaning heavily on nostalgia and steering the franchise away from the cacophony which has characterised it.

Bumblebee is the story of a girl and her car. The girl: Charlie Watson (Hailee Steinfeld), a sullen teenager coping with the death of her father. Charlie’s mother Sally (Pamela Adlon) has remarried, and while Charlie’s brother Otis (Jason Drucker) has taken to their stepfather Ron (Stephen Schneider) well, Charlie has not warmed to him. The car: a Volkswagen Beetle whom Charlie christens Bumblebee, who is secretly an Autobot from the planet Cybertron in disguise. The Autobots are locked in a vicious war with the Decepticons, and Autobot leader Optimus Prime (Peter Cullen) has sent Bumblebee to earth, to scope out the planet as a possible refuge for the Autobots.

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The Decepticons Shatter (Angela Bassett) and Dropkick (Justin Theroux) track Bumblebee down to earth, and trick government agents Jack Burns (John Cena) and Dr Powell (John Ortiz) into assisting them in hunting Bumblebee. Charlie and Memo (Jorge Lendeborg Jr.), the neighbour who has a crush on her, find themselves caught in a high-stakes clash between the secretive agency Sector 7 and the Transformers. The bond between Charlie and Bumblebee undergoes a trial by fire, with the Autobot facing serious jeopardy from the humans and Decepticons alike.

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The live-action Transformers movies, with a possible exception of the first one in 2007, have been varying degrees of bad. Most of the blame has been placed on Michael Bay, who has shown contempt for the source material and its fans. Bumblebee shows the potential of the franchise when it’s placed in the hands of someone who cares about the source material, with Travis Knight taking the reins. Knight is the president of stop-motion animation studio Laika, having directed Kubo and the Two Strings.

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Bumblebee is still very much a studio product, taking full advantage of its 1987 setting to bombard audiences with nostalgia. There’s a prominently-placed can of Tab, lots of 80s music including “Don’t You (Forget About Me)” and “Never Gonna Give You Up”, Bumblebee watching The Breakfast Club on VHS, a reference to Heathers, and the designs of the Transformers are heavily inspired by their G1 incarnations. While these touches can come off as pandering, Bumblebee cuts through it with an emotional through-line, placing an emphasis on ‘heart-ware’ over hardware.

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Putting an animation director in charge means that there is more attention to movement and geometry, and the action sequences are much easier to follow than those in preceding Transformers movies. The scope of the film is more intimate, set mostly in a seaside Northern California town, a welcome respite from the often-meaningless globe-trotting that was a hallmark of the earlier live-action movies.

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Hailee Steinfeld’s Charlie is a character we’ve many times before and seems to intentionally hark back to 80s coming-of-age movies. She’s withdrawn, yearning to make an emotional connection after suffering a personal loss, must fend off preening bullies, and possesses a special skill which you can bet will come in handy later in the movie. However, Steinfeld imbues Charlie with enough liveliness and personality to make her seem more than a bundle of familiar tropes. She sells the relationship between Charlie and Bumblebee, even if a good portion of the movie is Charlie yelling as something horrible happens to Bumblebee.

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The character animation on Bumblebee is very endearing. As a VW Beetle, he comes off as rounder and softer than as a Camaro. Bay’s rejection of Bumblebee’s original form as a Beetle was indicative of his approach – to him, a Beetle just didn’t look cool or badass, but Bumblebee doesn’t need to look cool and badass – he needs to look friendly and approachable. This Bumblebee is also a competent warrior, but the best bits of the film are when he’s a fish out of water, learning to acclimate to life on earth and building his friendship with Charlie. It seems like elements of his back-story from the earlier films, including that he fought in World War II alongside the allies, have been jettisoned.

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John Cena plays the stock ‘Inspector Javert’ type – not necessarily a bad guy, but it’s his job to hunt down the good guys, so he performs the role of an antagonist. Cena shines in the few moments when the character can be funny; it’s clear that comedy is his true calling. John Ortiz’s excitable scientist character Powell is the closest this movie gets to the cringe-inducing comedy stylings of Michael Bay, but the character only makes a brief appearance.

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Charlie’s mum, stepdad and brother are very much an 80s sitcom family, and that works within the framework of the film. Jorge Lendeborg Jr. is the shy love interest, but the film takes its time in developing the relationship between Memo and Charlie.

Bumblebee-Dropkick-Shatter            It’s always a delight to hear Peter Cullen’s sonorous, commanding tones as Optimus Prime, and Angela Bassett makes for a suitably formidable villain as the voice of Shatter.

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Bumblebee doesn’t put an especially original spin on the time-tested “a kid and their X” formula, but this feels much, much closer to what a live-action Transformers movie should be. Viewed on its own, it’s good, but in comparison to the earlier Michael Bay-directed films, it’s great.

RATING: 4 out of 5 Stars

Jedd Jong

Transformers: The Last Knight

For F*** Magazine

TRANSFORMERS: THE LAST KNIGHT 

Director : Michael Bay
Cast : Mark Wahlberg, Josh Duhamel, Laura Haddock, Anthony Hopkins, Stanley Tucci, Isabela Moner, Laura Haddock, Jerrod Carmichael, Liam Garrigan, Glenn Morshower. And the voices of: Peter Cullen, Frank Welker, Gemma Chan, John Goodman, John DiMaggio, Ken Watanabe, Omar Sy, Jim Carter
Genre : Action/Sci-Fi
Run Time : 2h 29min
Opens : 22 June 2017
Rating : PG13 (Some Violence)

It might be hard to believe, but it’s been a whole decade since the first live-action Transformers movie clanged its way into theatres. In this fifth go-round, the Transformers have been declared enemy combatants and are hunted by the Transformers Reaction Force (TRF). Cade Yeager (Wahlberg) is a wanted fugitive for aiding and abetting the Autobots, including Bumblebee. He rescues young orphan Izabella (Moner) from a firefight, and in the process, is gifted a talisman by an alien knight whose ship crash-lands on earth. Cade is summoned by Sir Edmund Burton (Hopkins), the guardian of a sect sworn to protect the Transformers’ secret history on earth. It turns out that the wizard Merlin (Tucci) was bequeathed a magical staff by alien robots; the mythical object long vanished. Cybertronian sorceress Quintessa (Chan) sends Optimus Prime (Cullen) in search of the staff, turning him against his long-time allies. With the help of Oxford literature and history professor Viviane Wembly (Haddock) and reluctant TRF soldier William Lennox (Duhamel), Cade and Burton must unravel an ancient conspiracy to prevent the destruction of earth.

No other franchise in recent memory has been more critic-proof than the Transformers films. This summer alone, we’ve witnessed King Arthur: Legend of the Sword and The Mummy feebly attempt to kickstart would-be franchises, while this juggernaut based on Hasbro action figures trundles along. The Transformers movies have long been easy targets for critics, and this entry is particularly frustrating for us. The Last Knight does what this reviewer has always wanted from this series: it explores the alternate history built around the Transformers’ secret presence on earth – though it’s hard to imagine how giant alien robots can stay secret for too long. However, this ends up being expectedly ludicrous, with plot contrivances that beggar belief scattered throughout the film. It turns out that there is a Da Vinci Code-esque secret society entrusted with guarding said history, its members including William Shakespeare, Leonardo da Vinci, the Wright Brothers, Harriet Tubman, Albert Einstein and Stephen Hawking. How giant alien robots traipsing around are kept secret is anybody’s guess.

This film strikes us as a spectacular waste of resources – with its $260 million budget, it’s the most expensive Transformers movie yet. In a way, every big blockbuster is, but some are better at justifying that waste than others. The Last Knight unfolds on a spectacular scale, and like Age of Extinction, its story spans continents and millennia. The visual effects supervised by Scott Farrar are extensive and commendable, and the action set pieces are marginally easier to follow than in previous instalments. However, there are only so many ways one can depict giant robots punching each other, and there are only so many variations on a car chase. While rival car-based franchise Fast and Furious has been continuously inventive, the action in Transformers is concussive and numbing. There’s so much going on that it’s easy to tune out instead of staying focused on the mayhem onscreen.

We held out hope that this might be an improvement because screenwriter Ehren Kruger has been jettisoned, replaced by Iron Man and Punisher: War Zone scribes Art Marcum and Matt Holloway, and Black Hawk Down writer Ken Nolan. Alas, narrative coherence is in short supply and director Michael Bay’s oppressively juvenile sense of humour smothers anything resembling wit.

There’s a scene in which Megatron (Welker) negotiates the release of his Decepticon compatriots with lawyers seated at folding tables in the middle of the desert. We also find General Morshower poring over battle plans in the Pentagon basement, declaring “this is where I deal with the dark s***”. And yes, there are racial stereotypes aplenty – Bay is endlessly amused at those stuffy Brits, Hot Rod (Sy) has a thick French accent, gold chain-wearing Decepticon Nitro Zeus (DiMaggio) paraphrases Martin Luther King Jr. while being released from prison, and Decepticon Mohawk (Reno Wilson) is characterised as a violent street thug. Any accusations that critics are “reading into things” are rendered moot by Bay’s insouciant rejection of subtlety in any form.

Wahlberg may be a better fit as the franchise’s leading man than Shia LaBeouf was, but even then, Wahlberg’s getting annoying. It’s a relief, then, that this is supposedly his last Transformers film. By making the female lead an Oxford professor, the film goes down the predictable route of having Cade and Viviane bicker endlessly while being set up as a couple. Haddock is by far the best actress to have played the female lead in this series, but that’s a low bar. She’s also the least overtly sexualised and has the most agency of all the female leads in the series – but that’s also a low bar, seeing as Viviane struts around in tight dresses and stilettos for the first half of the film.

With Izabella and her sidekick, transforming Vespa Sqweeks, Bay appears to steer the film back to the “a kid and their X” roots, as embodied by Sam Witwicky’s friendship with Bumblebee in the first movie. This feels like an afterthought, and Izabella is one of several characters who feel like hangers-on.

After starring in HBO’s Westworld, Sir Anthony Hopkins hangs out with far bigger robots here. He looks to be having a grand old time, playing the eccentric earl with a twinkle in his eye. A lot of his dialogue is incredibly stupid, but it helps that it’s being uttered by Hopkins. Burton is given a sidekick in the form of an idiosyncratic robot butler named Cogman (Carter), who is frequently annoying and is pretty much a more annoying version of Rogue One’s K2-SO.

Duhamel, Morshower, Turturro and others return from the earlier movies, begging the question of why LaBeouf isn’t in this, at least for a little. Not that we want to see him in this at all, but given that Sam is Bumblebee’s best friend, it stands to reason that Bumblebee should seek him out over the course of this film.

To its credit, The Last Knight does feel shorter than its 150-minute runtime, and features a novel submarine chase that’s different enough from the standard action sequences we’ve seen from this franchise. It’s fine for blockbusters to be silly, but when nothing less than the end of the world is at hand, The Last Knight should be more impactful and less superfluous than it is.

Summary: Bombastic and bloated, The Last Knight’s convoluted mythos and tedious action is enlivened by the joyous presence of Sir Anthony Hopkins. Audiences with the fortitude to surrender to its thunderous stupidity might get a modicum of enjoyment out of this.

RATING: 2.5 out of 5 Stars

Jedd Jong

STGCC 2015 Day 2: Mega Picture Post

And here we go with Day 2! Let’s roll. 

The family that Star Wars-es together stays together

Yub nub!

Elektra

Black Bolt

Felicity, complete with Windows 8 Surface!

Selfie with CW!Ollie’s main squeeze

Darth Revan

Sabermarch’s wares

Dear Mistah J!

“Yub nub!” “Utinni!” 

Black Cat-scratch fever!

You will notice a running theme with Harleys and lil Mistah J.

“Hello Zepp”

Hot Toys’ Millennium Falcon interior diorama

Vacationpool!

Joking Snake – Batman and Metal Gear Solid mash-up!

Lil Ms. Marvel and Lil Hulk! D’aww.

Pitted as many Jokers against as many Red Hoods as I could

“All this fighting, it’s senseless”

Younglings in training at Fightsaber’s workshop

M. Bison says “YASS!!”

Actual levitation!

Attempt at a vaguely arty shot

“Girl I work out”

Bewitched, Bebladed and Bewildered 

Who watches the Watch_dogs? 

Mind-blowing Bumblebee.

Rul as Jason – destiny

“Now fight!”

Maro, who makes a most adorable Babs. 
Skyline Sirens 
“My name is Max. My world is fire and blood.”

Ready to believe you, Egon!

“MOM! DAD! UNCLE BEN!” 
In anticipation of the all-female Ghostbusters movie

Beardbusters!

Shaun’s really rad Arkham Knight 

Felicity being wistful

Kylo Ren, the mysterious villain of the upcoming Star Wars Episode VII: The Force Awakens

Neptys Ennoae as Wasp with Gwen as Ant-Man!

WASP AND BUMBLEBEE. This gave me so much satisfaction.

It’s not a comic con unless there’s at least one Slave Leia

M. Bison has his sights set on time travel – beware!

Doof Doof Doof! 
Ahh Jim Cheung’s smile. *Melts*

Ants at a picnic

More Ame-Comi Wondy action!

Old-school enthusiasm!

Conner!

Hi again Stella

Shaun the Jurassic Park ranger with Bessie the Dilophosaurus! Good girl Bessie! 

The Hooded Photobomber

“BLOOD BAG!”

Drag!Wonder Woman!

Slade has destructive designs on the Bat *flicks*

Epic showdown! Onlookers are most amused.

Back to back badasses

Bullets and bracelets!

The family that Avenges together…

Hey Sally!

Jaye as a Portal Turret, with her Companion Cube of Holding

Elevenapalooza!

Princess Kory in the house

Shiny shiny Ollie

Yes yes, I don’t know who these characters are and took the photo because Theresa and friend are attractive.

See son? That’s a professional. I have no idea what I’m doing.

Kai with Red Hood Beyond!

You wot m8?

Re:Spawn

Whovian selfie

11 photobomb 
“Come along Po…I mean Clara”

Everybody wants Clara!

Clara doesn’t know what to make of the Attack Eyebrows 

Adam Hughes, comics pinup artist extraordinaire

Orkabat Cos and Judith as Bishoujo Psylocke and Ms. Marvel respectively

I blurted out “look, a Dick!” without thinking. Way to go Jedd. 
SHAZAM!

Team Arrow and a Feline Photobomber

Theodora as Selina and Lil Bruce
Selina and her mini-me

What evil lurks in the hearts of men? 

Selfie with Aunty Shirley, everyone’s favourite neighbourhood cosplaying Aunty! 

Scarlet Witch

V8!

“Bruce why?”

Nothing to fear but fear itself

Frasier as Peggy Carter and Jenny as Skinny Steve

Selfie with my Batfam friends Sarah, Kie and YQ!

Dead Jason party – bring your own crowbar 
“I am a failure lol”

“Dick you’re irreplaceable!” – Bruce circa 1942 or thereabouts 

All will cower in fear of Darth Cass! 

Go away Wade.

“Drive me like one of your Italian cars”

Clara and the Stig – it’s a veritable BBC party in here!

Twinsies! 
“Dad Dad DAAAD Dad Daadddd” “Arrgh kids!”

Missy’s cookies tempt the Doctor

People mountain; people sea

Catwoman, Harley and Lil Bruce!

The thorn among the roses

KA as Spider-Woman 

YQ giving the Kotobukiya statue pose a go

Invinc is very pleased with the shuffling trick – exactly why it’s silly doesn’t show up in stills, you had to be there.
“You’ve been struck by a smooth criminal mon ami”

Very esoteric.

Ellie!

Pirates have shoulder parrots, Catwoman has shoulder kitteh.

WITNESS IMMORTAN JOE!