Director: Nia DaCosta
Cast: Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park Seo-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Samuel L. Jackson
Genre: Action/Adventure/Sci-fi
Run Time: 105 min
Opens: 8 November 2023
Rating: PG13
2019 was a different time for the world at large and for the Marvel Cinematic Universe (MCU). Captain Marvel opened in March, crossed a billion dollars at the box office, and then was followed by Avengers: Endgame. Yes, Captain Marvel still had the attendant controversy, but audiences couldn’t get enough of Marvel. Things have changed and many feel the MCU’s fortunes have turned, but that doesn’t mean the return of Captain Marvel can’t still be enjoyable.
The Marvels finds Carol Danvers/Captain Marvel (Brie Larson), Monica Rambeau (Teyonah Parris), and Kamala Khan/Ms Marvel caught in a bit of a predicament: an encounter with an ancient alien artefact cause the three heroes’ powers to become entangled, making them physically switch places each time they use their powers, which are all light-based. While Kamala is thrilled to be teaming up with her idol Captain Marvel, there is awkwardness between Carol and Monica, who last met during the events of the first Captain Marvel movie when the latter was a little girl. Carol was the best friend of Monica’s late mother Maria, and Monica feels Carol has abandoned her. The trio must team up to solve the problem of their entangled powers while facing off against the Kree alien revolutionary Dar-Benn (Zawe Ashton), who bears a grudge against Captain Marvel and is armed with a bracelet like the one Ms Marvel has.
A lot of comic book movie fans view silliness as the enemy, and some might say with good reason. However, when a comic book movie captures the inherent exuberance and joy that comics have the potential for, it is something special. Director Nia DaCosta keeps things airy in a franchise that can feel weighed down by all its baggage. The Marvels has a largely upbeat energy and embraces the kind of sci-fi shenanigans that have made something like Star Trek: Strange New Worlds so enjoyable. The Marvels has a planet of musical numbers and a space station overrun by cats (okay, aliens that are outwardly indistinguishable from cats), and there’s a place for stuff like that in a comic book movie. The latter moment is accompanied by perhaps the greatest needle drop in MCU history.
There’s an earnestness and good-naturedness that keeps The Marvels going, and it is at its best when it’s a three-hander buddy movie. Larson, Parris and Vellani do make for a watchable team and each actor imbues their character with a humanity that can sometimes be missing from big franchise movies. Vellani’s fangirl exuberance, which she carries over from Ms. Marvel, is especially endearing. There is also a fun dynamic with the conceit of the characters switching places each time they use their powers, which is incorporated into the fight sequences.
Samuel L. Jackson has been in so much of the MCU, and the largely poorly received Secret Invasion is still on a lot of people’s minds, but he just brings both a sense of gravitas and levity to the proceedings like nobody else can.
As alluded to above, the discourse surrounding the MCU is trending negative for various reasons. Unfortunately, a lot of that will be pinned to The Marvels and it won’t be allowed to exist as the thing it is. Still, it is a movie that feels held back by needing to tie back to not just Captain Marvel but WandaVision and Ms. Marvel, and it seems like the filmmakers struggled with just how much information to convey in flashbacks and exposition. The Marvels is also saddled with some typical MCU problems, including a generic villain, a mismatch between the overall tone and the dire end-of-the-world stakes, and of course, portals in the sky. There are big wide terrible portals in the sky.
Summary: The Marvels is an enjoyably upbeat sci-fi adventure with room for silliness and an easy, likeable dynamic between its three leads. The movie is often breezy and light enough on its feet in a franchise that can often feel weighed down by its labyrinthian continuity. Yes, there are connections to other MCU entries that might be confusing even with flashbacks and exposition, and old MCU problems like a generic villain rear their head. However, The Marvels should be allowed to exist as the largely enjoyable, diverting thing that it is, tempting as it might be to pin all the MCU’s current troubles on it. The mid-credits scene is a big deal, but you don’t have to stay until the very end of the credits if you don’t want to.
RATING: 3.5 out of 5 Stars
Jedd Jong